Season 3 was almost languid, that's what I'm saying. Frequent, horrifying murders notwithstanding. I think that was a deliberate thematic choice, a gradual deepening of the emotional components over the logical (I didn't say sane) ones. After all, the series began with the aria from the Goldberg Variations, and ended with Love Crime. That's the series' arc in a nutshell.
Just watched the Hannibal (S3?) finale
Season 3 was almost languid, that's what I'm saying. Frequent, horrifying murders notwithstanding. I think that was a deliberate thematic choice, a gradual deepening of the emotional components over the logical (I didn't say sane) ones. After all, the series began with the aria from the Goldberg Variations, and ended with Love Crime. That's the series' arc in a nutshell.
-
The twist, of course, is that Holmes *does* have a heart
With The Mentalist as background TV, I briefly considered the idea of a crime-solver that were a sort of anti-Holmes, solving crimes not because of…
-
A florilegium of Primavera thoughts
Season 3 Will Graham is in many senses a post-Act V Hamlet, an active passivity born to a large degree of having seen (although in Hamlet the what…
-
I'm going to be meta'ing about Hannibal, alone in the dark, until the and of my timeline
(Which, if you put together alone in the dark and Hannibal, wouldn't be that long.) I'm about mid-Season 2 in my slow rewatch, and one thing I've…
- Post a new comment
- 0 comments
- Post a new comment
- 0 comments