October 4th, 2017

cass, can you not

A tangential comment on The Black Monday Murders #7

A lot of Hickman's writing (varying by title, but overall quite a bit) consists of visually, conceptually, and linguistically dense world-building infodumps. The term is generally used disparagingly, but for him — I should say, for him, with me — it works, because
  • Hickman's world-building is fantastic; his settings are more interesting than most people's plots.
  • Properly used, comics are a great medium for infodumps. You're forced to use relatively short amounts of text, which makes you concise, while the visuals are great both for emotional tone and for the kind of open-ended suggestive-but-not-explained detail that makes you feel certain that the world is real outside the panels and before and after the story itself.
cass, can you not

Three nonspilery reactions the Batman #32, and a spoilery one


  • The silent moments between Selina and Bruce, her kindness and the way he accepts it, are very realistic and nicely done. You seldom see that kind of unspoken tenderness in superhero comics.

  • This story sets up Nygma as Joker-level crazy. Not just Joker-level capable, but Joker-level insane, far beyond his usual compulsions.

  • In a heartless way, it's nice to see Bruce, for once, traumatized by something sensible that has nothing to do with Crime Alley or Jason. One aspect of maturity is the ability to feel good or bad about more than one or two things.



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