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Thursday, July 9th, 2009
12:09 am - Chicago - Day 4 - June 27, 2009
Having just half-assed an F.M.I. post because I couldn't manage to organize my thoughts on Visioneers, here's the delayed and no-longer-relevant post about Day 4 of my Chicago trip.

I started the day by walking down to the Art Institute of Chicago, walking through a couple rooms of the museum, thinking I'd dropped my phone, then walking back to my hotel room and finding it there. Then I went back to the museum and gave it the attention it deserved. Well, as much as I could in half a day. There is some important and interesting stuff there, so I had no choice but to go for quantity over quality to some degree.


On the way out from the museum, I happened upon a satellite location of Reckless Records, which had been recommended to me by an Internet friend with some similar musical tastes. They were playing some delightfully Krautrocky electronica by a group called Subway, so I impulsively bought that album and the first album by Krautrock standard NEU!

Then I caught a cab to the Museum of Holography, which is slightly bigger than my hotel room. It had a bunch of neat holograms, though, and it was only $5, so why not? The near-dead old lady in charge talked to me extensively about nothing I could decipher before letting me see the exhibits. I remember something about atoms and resistors ...

I had never seen binoculars or other lenses simulated in holograms before, and there were a number of impressive 3D medical images. I stealthed a couple of blurry pictures, and this short video of one of the rotating holograms. You can't beat holographic chicks with swords.

Another cab across town, this time to Powell's, a book shop that sounded promising. I hadn't been to a book store in Chicago yet, so that needed to be rectified. I ended up getting a strange little sci-fi book and a book about Frank Norris. I couldn't leave Chicago without something Frank Norris-related.

As it happens, the store was right next to the Taste of Chicago Festival, so I checked that nightmare out. Lots of dirty, ugly people and awful bands. The two I saw were Scotland Yard Gospel Choir and The Frantic. The video of The Frantic is worth watching for the drunken dancing woman who tries to kiss her boyfriend, is rebuffed, gets offended, and is won back over by the snapping of her bikini strap. Amore!

There was also a charming chap with a big placard trying to share his knowledge about how the human race was created by aliens. Thanks, guy!

Walking back from that, I encountered a more traditional form of nutbag: a street preacher. He alerted me to the gay pride parade that I ended up seeing part of the next day. He challenged all of us to walk up to a molested child and tell him or her that sin is fun, and yet he failed to produce a child for us to do that to. What a rip off.

I then ate some decent but not great Mediterranean food and stopped at another Reckless Records location. Bought some prog.

Then, metal. Doom and/or black metal. Metal genres can be a bit slippery. Saw my precious metal at The Empty Bottle, a dive of a venue with some of the best air conditioning I've felt. Plus they had a bunch of doll heads on the wall. 


The Atlas Moth is a local band and they were surprisingly good. Plus, their lead singer has a champion-class mustache. 

Nachtmystium is who I was there for, and they delivered the show I had hoped they would.

Pentagram ... well, apparently they're very influential in the doom metal scene, dating back to the '70s. I had never heard of them, and I certainly didn't expect the cringeworthy stage antics of their front man. He spoke authentic frontier gibberish when not singing, so it was awkward when he'd say something and then expect a response from the crowd. Once I learned to forgive him his faults, I realized that some of the music was actually pretty good. I was so impressed with this unique individual that I had my picture taken with him, as I shared previously.

Then I went back to the hotel room and slipped into a six-hour coma. Full photo gallery here.

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Wednesday, July 1st, 2009
11:36 pm - Chicago - Day 3 - June 26, 2009
My third day in Chicago was the beginning of the vacation part. After my training sessions, which included both the most and least useful sessions of the week, I took a tour of the Chicago Mercantile Exchange. It was offered as part of the conference because last-minute scheduling problems had caused us to have our classes in one of their buildings, so why not?

I got to walk across the floor as trading was going on and watch from above as the day closed out. It was very Trading Places. I also took an illegal picture and got in trouble. It didn't even come out, because the flash was on.

I then walked around a bit in the stifling heat, trying to get my bearings. I saw a Peapod truck, which surprised me. I didn't know they were still around. I worked for them several summers in college, delivering groceries. I didn't get to drive the big ass truck I took a picture of, but it was still fun to zip around in the Peapod van and hit things. And get in high speed chases. And such.

I then realized that I was too far from my destination, Portillo's, and got a cab. I had a a great Italian beef sandwich, a great Chicago hot dog, and something called a chocolate cake shake, which was as great as the name implies. It was a drinkable shake with cake in it. I then walked around this area for a while and took a picture of their Fogo de Chao for no reason.

Then the music. This was one of my top five live music experiences, in part because of the venue. The stage is set up like most, except there is a U-shaped second floor with tables arranged around the pit. I ordered food and had drinks brought to me, even though that was clearly in violation of their normal mode of operation. But I tipped well, and I showed the snooty bartender. When I opened the tab, he made a point of telling me that I had to spend at least $15 on drinks and food. $60-ish later, I left.

Strawbs, who I'd heard of but had not heard, played an acoustic set that worked well with the high-pitched prog vocals. The preachy politics and outdated hippery added to the charm. I took eight seconds of video and then realized that I had not put the memory card in my camera. Its internal memory is not great, so I had to experience the show like a real person.

Van der Graaf Generator played everything I hoped they would, including "Man Erg" as the encore. Van der Graaf probably isn't one of my favorite bands, but that is one of my favorite songs. The singer's voice is a bit shot, but it got better as the night went on, and songs are still great. Some were all keyboard and percussion; some had guitar.

I bought things and had them signed. I also ripped a poster off the wall and had it signed.

Afterward, I went to Kuma's Corner, a heavy metal burger bar. All menu items have heavy metal names, and metal decor abounds. This portion of the night is a little blurry. The Jamaican burger I had was good, but I don't remember its metal name.

Pictures here.

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10:41 pm - Chicago - Day 1 and 2 Photos

Since I never got around to posting them, here they are.

Day 1 features:

  • my hotel room
  • the bathroom sign I shared previously
  • a lettuce wedge with a big disc of asiago cheese rammed into it
  • sausages and beer
  • the restaurant that sells those things
  • bad corporate art
  • the overly complicated elevator
  • blurry lights from atop the Sears Tower
Day 2 features:
  • a sign that says "Chicago"
  • the greatest tragedy to ever befall mankind
  • the Gene Siskel Film Center
  • a pirate
  • The Bean
  • me reflected through grubby handprints on The Bean
  • an amphitheater
  • another gross structure in the park
  • monolithic faces
  • a classy guy
  • beer, calamari and ravioli
  • more corporate art

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Tuesday, June 30th, 2009
11:57 pm - June movies, instead of wrapping up Chicago
6/2 - True Stories
6/5 - The Alien Factor | The Sugarland Express
6/6 - Drag Me to Hell
6/9 - Rachel Getting Married
6/11 - Dreams with Sharp Teeth
6/12 - Immortal Combat
6/14 - Hatchet
6/16 - Doubt
6/20 - The Hangover
6/21 - Martyrs
6/26 - Visioneers
6/29 - Charlie Bartlett
6/30 - Vantage Point

Selected commentary:
  • David Byrne's movie, shot around here, was amusing. I like that he was the only character that wore a cowboy hat and that we were supposed to buy Spalding Gray as the mayor of a small Texas town. (True Stories)
  • The Sugarland Express may be the only movie in history in which William Atherton plays a good guy.
  • Drag Me to Hell has been touted as a return to form for Raimi. It has even been called Evil Dead 4 without Ash. While it had its moments, that is an extreme overstatement.
  • I wish I'd seen Bill Irwin take on Richard Burton's role in Who's Afraid of Virginia Woolf?, because he's a pretty good actor for a guy who started as a circus clown. (Rachel Getting Married)
  • Harlan Ellison needs a good punching. (Dreams with Sharp Teeth)
  • Immortal Combat had 10 awesome minutes at the beginning and about 20 at the end. And whole lot of boring in between. But at least it starred Rowdy Roddy Piper and Sonny Chiba. And Tiny Lister crying a lot.
  • Hatchet had good gore effects and cameos from Robert Englund and Tony Todd, which was enough for to make up for the rest of the movie, which was horrible.
  • Zach Galifianakis can stop whining about not having done any film work to be proud of, because The Hangover was stupidly funny mostly because of his role (and Mike Tyson's), and Visioneers was interesting enough that I will eventually write a review of it for F.M.I.
  • Martyrs was marketed alongside the glut of torture porn we've seen in the last couple of years, but it actually had a bit more of a point. While it dragged in the second half, it's almost worth a review on F.M.I., too. It also threw in some Japanese horror copycatting, but made it work again.
  • If you thought Ferris Bueller was a douchebag, wait until you meet Charlie Bartlett.

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12:38 am - Too tired to write a coherent update...
Too beset by insomnia to sleep.

So here's a picture of a fancy monkey.


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Monday, June 29th, 2009
3:25 am - I got behind on Chicago reports.

And it's too late for me to do it now, so here's a picture of me with the Bobby Liebling
of Pentagram. He's probably the scariest frontman I've ever seen. Definitely the weirdest I've seen in person.


 
I'll update with more things that no one cares about later.

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Friday, June 26th, 2009
3:46 pm - Chicago - Day 2

Posted midday on Day 3 as I try to figure out what to do.

Loooong sessions yesterday. Some interesting, some not. I noted that MySpace was mentioned only once all day … as a dying platform. LiveJournal wasn’t mentioned at all. It may have appeared on a few of the slides designed to show the dizzying array of social media platforms available, but not prominently enough that I ever actually noticed it.

Everyone kept saying “Twitter, Twitter, tweet, Twitter, tweet,” and then failing to have any concrete uses. Some, at least, have been actively derisive of Twitter, which I think it deserves. Unless you’re a protestor in Iran.

The conference is in one of the Chicago Mercantile Exchange’s buildings, which is less fancy than I’d expect. You already saw their bathroom signage.

Saw Crush on a Pepsi fountain. Interesting to me, because of how often I’ve had to write about the deal that allowed that to happen. I had a good gyro at a tiny place with no air conditioning.

My evening was a bit of a failure. I failed to get motivated in time to see a movie at the Gene Siskel Film Center and get dinner, so I just got dinner. Somehow it was more important to sit around the hotel room watching a Married With Children marathon while waiting for my body temperature to drop. It has been Texas hot up here.

I walked down to Daley Park, because I saw the big amphitheater and it was shiny, so I walked toward it. Lots of tourists and squalid-looking people. Unlike this charming fellow, who is all class:

 

He was standing under some bizarre fountain with big screens of two ugly people’s faces. I really didn’t get it. People were there with their kids, in bathing suits, just to stand in this thing. What the hell? I mean, if I was homeless, sure …

I saw The Bean, which is large and reflective. What fun. It was filthy with greasy fingerprints and smudges. Icky. Also icky was some white thing called an UNStudio, which I think was designed to give you various framed views of the skyline or something. All I could see through the little windows were sky and trees, and all I could see inside were screaming children and puddles of muddy water.

For dinner: Trattoria #10 is an Italian restaurant in a basement, and the food was pretty good – calamari with lamb sausage, sausage ravioli and a peach dessert. And an amber Moretti I’ve never had before. I think I might've overshot the max for expenses. Oops.

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Thursday, June 25th, 2009
7:03 pm - Chicago - Day 1

Posted towards the end of Day 2.

Why does downtown have so damn many Subways? This gets scarier when you add in the number of Jimmy John’s, Potbelly, and Quiznos locations. No city should like subs this much. There are also an unreasonable number of McDonald’s and CVS locations.

The first day of the conference went well enough and was about as helpful as I thought it would be. Some, but not a lot. The bathroom in this building had a sign that amused me. Here’s a picture of it:

That’s the only picture I’ll be posting today, because I don’t have proper software on this laptop and I don’t remember my FTP password even if I did. I could also have posted a picture of the wacky elevators in the hotel, where you have to insert your room key ridiculously low to make it go, but I’m too lazy to edit that one in Microsoft Paint.

Downtown dining actually seems somewhat limited, so I went to a place called Berghoff because it had its own beer. The amber was bizarrely buttery, and the lager was unremarkable. I had a lettuce wedge that frightened me by having a large disc of asiago shoved into it, and a sausage plate that underwhelmed.

I then went back to my hotel room for a bit and strategized my touristy stuff, at which time I realized that I had walked past the Sears Tower twice earlier in the day without realizing it. So I raced down there, gave a crackhead a dollar because he gave me a tourist brochure and some truly useful information, and went to the 99th floor. The 103rd floor was closed for renovations. What a gyp.

They also make you watch part of an episode of Modern Marvels before letting you up, which was annoying. As it turns out, and as the crackhead informed me, there was a fireworks display scheduled for that night on the pier, so I stayed up there to watch it. I told some Australians and a soccer mom about the fireworks, and they were grateful for the information, but the soccer mom got offended and walked away when I used the word “crackhead.” Video, of the fireworks display, here. With background tourist chatter of varying degrees of stupidity.

It was definitely a good move to go up at night. During the day, it would’ve just looked like city, but at night it looks like Blade Runner. Lots of lights climbing impossibly high. Purty.

Then I went back to my tiny hotel room, turned on my tiny TV and got the first real sleep I’d had since Monday.

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Tuesday, June 16th, 2009
12:04 am - May movies, finally
5/2 - Cutie Honey | 12 Rounds | Special
5/3 - Death Wish 2
5/8 - The Limits of Control
5/11 - Dr. Jekyll and Mr. Hyde (1931)
5/12 - The Strange Case of Dr. Jekyll and Mr. Hyde (2006)
5/14 - Blindness
5/16 - Dr. Jekyll and Mr. Hyde (1941)
5/17 - Star Trek
5/21 - Death Wish 3
5/22 - The Brothers Bloom
5/24 - X-Men Origins: Wolverine | Death Wish 4: The Crackdown
5/25 - Shadow Warriors
5/27 - Death Wish V: The Face of Death
5/29 - Big Boobs Buster
5/31 - Golden Temple Amazons | Dr. Jekyll and Mr. Hyde (1999)

This was a particularly braindead month, with a few exceptions. Selected commentary:
  • As a matter of policy, I see all WWE movies in the theater. They understand stupid. And punchy explodey. Even within the restrictions of PG-13. (12 Rounds)
  • Michael Rapaport has a knack for playing characters that are so awkward that they’re borderline retarded, and giving one hallucinations of superpowers was hilariously tragic. (Special)
  • Speaking of punchy explodey, I decided to watch all the Death Wish sequels. The third one is the best, but they all have their moments. Protip: If you’re a woman, stay far, far away from Charles Bronson. He needs someone to get raped so he can take revenge, and your name will instantly go to the top of the list.
  • Wow, The Limits of Control was slow. But also a lot of fun in the Jarmusch way. It’s his most Jarmuschy movie ever. I probably should’ve reviewed it for F.M.I., actually.
  • I decided to watch as many Jekyll and Hydes as I could following a chance viewing of the brilliant and innovative 1931 version on TCM. The 1999 version, in which Chinese medicine turns Jekyll into Hyde so he can become the foretold avenger of justice known as the White Dragon was too damn slow. The 2006 version in which Tony Todd keeps biting women on the face and has to wear a giant monkey head was the clear winner. Spencer Tracy’s version was a snoozefest.
  • Julianne Moore’s face-straining weeping is getting a bit old (Blindness).
  • This Shadow Warriors is the cyborg soldier movie starring John Locke from Lost, not the mercenary movie starring Hulk Hogan, Carl Weather, Martin Kove and Shannon Tweed … which I also own.
  • Karl Urban gave the best performance in the new Star Trek.
  • Adrien Brody is only comfortable in things that are bittersweet (The Brothers Bloom).
  • Yeah, I watched something called Big Boobs Buster. It was about a girl who can’t get a boyfriend because she’s flat-chested, so she gets revenge on all the busty girls in school. Wanna fight about it?
  • Golden Temple Amazons wasn’t any classier.

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Monday, June 15th, 2009
11:37 pm - The Octopus Project @ The Granada Theater - Dallas, Texas - May 23, 2009
Since I often use this space to remind me of when I saw what, I have to post this here, even though the real post about it is at Farrago's F.M.I. My usual video and such can be found there, along with more abstract thoughts about the show and the music, as opposed to my usual "It was fun lol."

But, really, I could've just written "Cute girl with theremin <3 <3 <3 lol!!11one!" and that would communicate my true thoughts about the band.

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12:15 am - Here's this thing.
Yup, there it is. Goodwill is scary.
 



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Sunday, June 14th, 2009
2:27 am - Night of the Creeps - Alamo Drafthouse Ritz - Austin, Texas - June 13, 2009
I just got back from a special screening of Night of the Creeps at the Alamo Drafthouse Ritz. It thrilled me.

Director Fred Dekker, badass Tom Atkins, drunkass Jason Lively, MILF-y Jill Whitlow and comic relief Steve Marshall were in attendance for a Q&A that proved entertaining, which is important, since they were filming it for the upcoming DVD. I asked a question related to the bathroom graffiti in one scene. Specifically, I wondered who the Stryper fan was on set and whether Jason really works the bone. The answers were "the makeup girl, who was dating one of the band members" and "no, Steve is just immature." If I remember right.

Quint from Ain't It Cool News was the moderator, and he assumed that I was asking a nerdier question about a Monster Squad reference that was also on the same wall, even though this movie precedes that one. No, I was just interested in '80s metal. And bone-working, apparently.

The Drafthouse has started creating some pretty impressive custom posters for these sorts of screenings, so I got one and had it signed despite the price. I think that I'll probably get it framed.

Photo gallery here.

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Friday, June 12th, 2009
12:09 am - Les Claypool @ Gilley's - Dallas, Texas - June 7, 2009
This was the best Dallas Les Claypool show in a few years. The set list was pretty good, with a few things I wanted to hear added and a few things I didn't want to hear anymore taken off. The crowd didn't antagonize him and the dry cleaner didn't fill his costume with skin-searing acid this time, so that helped. He was on and engaged, playing with gusto and upping the showmanship.

This is the first time I've seen him let an audience member (in this case a young child) operate the whamola, his homemade string instrument. Claypool always wears a monkey mask during that portion of the show, and the happy monkey face he made while letting the kid rock out was fun.

Sam Bass' cello work was more impressive live than on the album simply because he was given more to do, and seeing him cover the parts previously played by Skerik on saxophone was mildly mind blowing. Mike Dillon was excellent as usual, as was Paulo Baldi on drums. It was the tightest I've seen them in a long time.

Except that Les forgot the words to "Amanitas" at one point. Whoops.

It was good to hear a Primus song, although Claypool teased my favorite and didn't play it. I did the nerdy autograph thing only because I was standing around to take a picture for a friend. The document he signed was my set list notes written on the back of my print-at-home ticket.

Matisyahu, Jewish reggae singer and annoying novelty act, opened and appeared briefly during the Claypool set. Dub Trio, who I am told is good, sat in with Matisyahu, and I suspect that they are responsible for all the parts I didn't hate. I would have rather seen Snow. A licky boom boom down.



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Thursday, June 11th, 2009
12:37 am - A-Kon 20: The Year I Finally Admit I'm Too Old
Although not too old to get bored and wander around restricted areas of the hotel and ditch my friends to deal with the security guards as I make a clever escape.

Not too old watch a movie called Big Boobs Buster in the hotel room of a friend who came in from out of town, and not too old to buy a Devilman figure, a Berserk figure, a ghost Mario, a Harley Quinn figure, a Cthulu shirt and a Contra T-shirt. And a DVD of an Asian horror movie called Witch Board just because I already have three American movies called Witchboard and I want to own more movies called Witchboard. And a little toy tank and another DVD.

And a Super Mario Bros. toothbrush that plays music. But that was just because I forgot to bring a toothbrush with me. Here's a video of it! Yes, really.

A-kon is about excess, which is probably why it is the least respected con of its size and has been abandoned by the industry. There wasn't a single industry panel this year, but a band called Camino came back and put on a pretty good show. The writing panels were back and as embarrassing as usual. I also attended a video game industry panel, which I rudely disrupted by getting a text message. Fortunately, my tone for that is the sound of Link discovering a secret area in The Legend of Zelda.

As for being too old ... Well, this was the year some traditions just didn't get done. This year saw the lowest attendance of my friends, and less excess on my part in some ways. I actually networked a little this time, and not for freelance gigs that'll never happen, but for my day job.

Still, I've been going to A-kon for literally half of my life, and I'll probably keep going. It, and the people, still amuse me. As evidence, I present tired, miserable cosplayers eking out something resembling romance from the bloated weekend, and a thing I don't know what is that I saw hanging from a Highlander replica sword:

    

Oh, and some more worthless video of people doing odd con things here.

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Monday, June 8th, 2009
11:40 pm - Cinematic Titanic @ Lakewood Theater - Dallas, Texas - June 5, 2009
What does it say about me that I choose the autographs rather than the people as the image to highlight?Cinematic Titanic is Joel Hodgson, J. Elvis Weinstein, Trace Beaulieu, TV's Frank and Mary Jo Pehl, all MST3K alumni, doing the same thing they've always done, but without the robots or the fictional framework. They've been having a live tour, and I went ahead and paid the insane price for one of the Dallas nights, mostly for the sake of nostalgia.

Dave "Gruber" Allen kicked the show off, and he's amusing enough. I liked him back in the days of Higgins Boys and Gruber, one of the many bizarre multi-hour sketch/clip hybrid shows that used to populate Comedy Central when it was still called The Comedy Channel.

The film we watched was The Alien Factor, a movie that I'm proud to say I bought on DVD unriffed upon a few months ago, because that's the kind of thing I do. Not because I knew they were riffing on it, you understand, but just because it's the kind of thing I watch. I hadn't gotten around to watching it before the show, though, so I lose a little cred there.

The show was good, for the most part. This was apparently their first time doing this movie, so it was interesting to watch them to react to the jokes that fell flat. More of them than I'd like were direct comments on the poor quality of the film, without the wit needed to make it better than something a mildly amusing but mostly uncreative friend might say. It also, toward the beginning, suffered from the over-riffing that plagued the later years of MST3K. It's OK to let a few moments of the movie play between comments, really.

It was also amusing that almost all of their pop culture references stop somewhere around 1998 or so. Works for me. TV's Frank commented on it unapologetically, and I'm more comfortable with a Crash Test Dummies reference than I am with a ... whatever it is these kids listen to today.

I was struck by the class of the whole group, too. I went ahead and went full nerd for this one and brought in my MST3K fan club materials from 1992. I had them signed, and Joel asked about the notebook I was keeping them in. I said it was just graph paper, and that he could have some if he liked. He said he was curious because he thought I might be writing something, and then I felt like a dick. The notebook, if you're wondering, was from my high school physics class. I have no idea why I still have it.

Picture gallery here. It doesn't include a picture of the notebook.

Also, the guy next to me had to get up so many times to go to the bathroom or smoke that he felt guilty and brought me a free Jack and Coke. Bonus.

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Tuesday, May 19th, 2009
9:02 pm - Orange Tulip Conspiracy w/ Shaolin Death Squad @ Rubber Gloves - Denton, Texas - May 17, 2009
Okay, Denton. I know you're all loosey goosey and free wheelin' and whatnot, but is it too much to ask that you start a Sunday night show at a reasonable time? Even the band was complaining about playing until 2 a.m. And I think the energy of Orange Tulip Conspiracy's show suffered as a result. I'm not as hardcore as I used to be.

This wasn't, at least, the energy level I'd come to expect from Estradasphere, the band that guitarist and song writer Jason Schimmel and saxophonist John Whooley came from. Oh, and the drummer whose name I forget, too. Which isn't to say that they were bad, because they weren't. The musicianship was, as always, terrific, and the tunes were, as always, engaging and clever. They were just shorter than usual, and other than wacky hats, this project didn't display any of the sideways craziness I liked so much in Estradasphere.

But they're not Estradasphere, so I shouldn't complain. It was good music with a different, more straightforward, purpose. They still did some fun genre mixing, even if it was more between songs than within them. Just because Whooley didn't do his dual sax gimmick or throat singing and there weren't any overt video game references, that doesn't mean that there was something wrong with the show ... only that there's something wrong with me for being sad when I don't get such things. Video here. Of the band, not of me being sad.

Opening was Shaolin Death Squad, reliable locals who play some decent metal. I saw them open for Sleepytime Gorilla Museum before, in an un-air conditioned venue in Ft. Worth with very little stage lighting. That show was slightly better than this one, perhaps because I was half insane with heat exhaustion, but this one was still good. Video here.

I accidentally took a flash photo of Nagual, the unscheduled pre-openers. Sorry guys. They were okay, I guess. Silly politics and tolerable metal. I was amused when the singer had nothing to do, so he just sat down on the stage for a while. Amused enough that I took video of it. I suppose I could possibly be convinced to like them with further listens.

Photo gallery here. The pictures are worthless, so I recommend not looking at them. I'm not sure why I took so many pictures of Nagual.

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Monday, May 11th, 2009
10:54 pm - April movies
4/3 - Tropic Thunder | Fatty Drives the Bus
4/4 - Knowing | Shane | Cross of Iron
4/5 - Strait Jacket
4/10 - Observe and Report
4/14 - The Night Listener
4/17- Day for Night
4/18 - Stupid Teenagers Must Die! | Crank: High Voltage
4/19 - Dead Space: Downfall | Marie and Bruce
4/22 - Wristcutters: A Love Story
4/26 - The King of Comedy | Revolver
4/28 - The Dead Pool
4/29 - Futurama: Into the Wild Green Yonder

Selected commentary:
  • Tropic Thunder had a couple of good moments, but was mostly as overrated as I thought it would be.
  • Fatty Drives the Bus, however, is about Satan disguising himself as a tour guide so he can abduct the souls of people destined to die in a bus crash. Clearly superior.
  • Shane! Shane! Shane! Shane! Shane got off lucky. Anything would be better than another five minutes with that damn kid.
  • You don't see a lot of movies that follow the Nazi soldiers as the good guys. Cross of Iron's approach might be the only way to make an antiwar movie that actually has an antiwar effect.
  • Strait Jacket is what anime is supposed to be but often isn't anymore. Icky monsters, weird technology, and angst.
  • I'll be grateful when the current trend of frontal male nudity used for comedy is over. Observe and Report may have taken it as far as it can go.
  • Young Jacqueline Bisset looks like young Elizabeth Hurley, except less like a whore.
  • I was a bit disappointed in Crank 2 ... until the end, which stopped being lame and jokey and took a left turn into awesome.
  • Marie and Bruce was written by Vizzini (Inconceivable!), so I had to watch it, despite Matthew Broderick, who delivered the awful, shallow performance he can be counted on to deliver. I will, on occasion, admit to kind of liking My Dinner with Andre, so it was worth a shot.
  • Anything with Tom Waits in the afterlife is worth seeing.
  • The Dead Pool had Jim Carrey lip syncing to "Welcome to the Jungle" for about half the length of the song. There's no excuse for that.

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Monday, April 27th, 2009
12:56 am - The Jakeys @ Dan's Silverleaf - Denton, Texas - April 27, 2009
If you're reading this, chances are high that you already know of The Jakeys. They performed as part of a Farrago's Wainscot event. There were two opening acts, but I was too lazy to watch them.

The Jakeys drink a lot.

Six whole pictures available here. Also video, including a nearly complete clip of their "Run to the Hills" cover.

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Sunday, April 19th, 2009
7:13 pm - That 1 Guy w/ Professional Juice - Longhorn Saloon - Ft. Worth, Texas - April 18, 2009
The Longhorn Saloon is nicer and more centrally located than The Wreck Room or Lola's, the owner's two previous venues that I've visited. It's also less charming and more full of drunk people wearing cowboy hats. Not that there weren't drunk people before ... they just weren't wearing cowboy hats. Or freak dancing each other to the intermission music despite being over the age of 40. I tried to get video of this, but it was too dark.

Professional Juice was not someone I was expecting to see. No opener had been announced beforehand, so he was a pleasant surprise. Sure, his schtick is like a more lowbrow Buckethead, but it's easy to amuse me with running-through-crowd antics, wacky masks and robotic voice synthesizers. Still, his humor was too much of the "lol bonerz" variety. The music was genuinely good, however, and he seems to be a reasonably talented guitarist and songwriter. One tune sounded Goblin-y, so I can't hate him.

That 1 Guy surprised me, as well. I didn't really expect to like him, and I hadn't been impressed by the little I'd heard. He's one of those performers who is all about the live show, because half the appeal is watching him play his wacky homemade instruments. And that is, indeed, a full-on hoot. The magic boot (a synthed up, well, cowboy boot) was a bit too gimmicky for me, but the magic saw (we've all seen saws played before) was nice enough. The magic pipe is, of course, the star of the show, allowing That 1 Guy to make the sounds of several percussion and/or bass instrumentalists all at once. The cynic in me says that, while the device is clever, it basically allows him to do this without having the actual skill to play any of those instruments legitimately.

But, the theatrics pay off, and the songs are good when performed live. The lyrics are often very clever, and the sometimes repetitive song structures are saved by improvisation. That, and That 1 Guy is just charismatic as all hell.

Plus, at the end of the show, he lets an audience member push a big button labeled "Don't Push the Button," causing smoke to billow out of the magic pipe as he plays his most metal number the night. Using a hotel room key card.

Oh yeah, there were also card tricks. I was disappointed that his sleight of hand was still impressive when viewed from behind, because I thought I'd be able to see more of the trick from my vantage at that part of the show. What a trickster.

Both acts lose some points for relying on a little too much prerecorded or looped audio. But I guess that's the cost of being a one-man band.

Picture gallery. Professional Juice video. That 1 Guy video.

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Wednesday, April 8th, 2009
11:42 pm - Dead Kenny G's - Dan's Silverleaf - Denton, Texas - April 7, 2009
First, don't blame me for the apostrophe. It's not mine; it's theirs.

Second, it was a hell of a good show, with the music going all over the place. From the aggressive jazz punk that I think they're most known for, to danceable hippie jams, to the obligatory Claypool tease, to abstract bits of wankery. That last bit only got boring once (maybe twice), and it at least included the use of saxophone valves as percussion, which I don't think I'd seen before.

With only about 20-25 people at Dan's, it was an odd show. I don't exactly add energy to a venue, so it might not've been the best idea for me to be seated front and center. But I was, which fine. Mike D poked a bit fun at a conversation I had before the show with a former school chum with a talent for making herself heard.

I attended with people I know from the Internets, one of whom took over my camera. She knows a thing or two about such things or twos, so it has been confirmed that my camera does, indeed, suck. She took all the pictures, except for those of the graffiti in the men's room, which was all me. Dirty talk about Princess Peach needs to be preserved for posterity. Also, this charming little lass whose name is either Goya-Ra or Quail Jerk:


See the rest of the pictures here.

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