чтож
Dec. 28th, 2009 | 10:32 pm
Надо косить под неудачницу это смешно.
Просто шедевр:
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missunderstood
Dec. 26th, 2009 | 04:13 am
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вторая половинка джаггера
Dec. 26th, 2009 | 02:14 am
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(no subject)
Dec. 12th, 2009 | 03:12 pm
Прикосновение составляет отличительную принадлежность тел и дает им название геометрических, когда в них удерживается это свойство, не принимая в рассуждение все другие, существенные ли то будут или случайные.
Н. Лобачевский, «Новые начала геометрии с полной теорией параллельных»
Н. Лобачевский, «Новые начала геометрии с полной теорией параллельных»
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Матросская Тишина "Satisfuckshion"
Nov. 23rd, 2009 | 02:52 am
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(no subject)
Nov. 23rd, 2009 | 02:47 am
Марат Гельман привезет в Перьм Пеньзюков
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(no subject)
Oct. 25th, 2009 | 07:31 pm
23 years old designer, illustrator and art director Kate Moross based in London speaks at Design Blast Conference at the school of Media & Arts in Karlsrue Germany.
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(no subject)
Oct. 18th, 2009 | 10:17 pm
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STYLE vs. NO STYLE
STYLE vs. NO STYLE
A style is sometimes a designer’s signature, but it can also be a veneer that covers a design. “Style has a functional role for many design projects,” “If a design idea needs to connect with a specific audience, the styles the audience is familiar with can be a valuable addition to the design tools at hand.” It’s important to know the difference and be comfortable with how style is used. Not for good or ill, but for real or false.
It is the nature of designers to adopt contemporary styles—whether the current fancy is grunge, goth, or neo-modernism—while others borrow mannerisms of the past such as Art Nouveau or Art Deco. Sometimes these veneers are simply outerwear, worn or removed as whim demands; other times, they are codes that telegraph many things, including the intended audience, the message, and the intention. Style can be allure or it can be content. Designers should understand the history of style to be able to intelligently master it.
It is the nature of designers to adopt contemporary styles—whether the current fancy is grunge, goth, or neo-modernism—while others borrow mannerisms of the past such as Art Nouveau or Art Deco. Sometimes these veneers are simply outerwear, worn or removed as whim demands; other times, they are codes that telegraph many things, including the intended audience, the message, and the intention. Style can be allure or it can be content. Designers should understand the history of style to be able to intelligently master it.
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(no subject)
Oct. 12th, 2009 | 01:25 am

все меняется кроме жежешечки.
Я теперь веду блог на блоггере. добавляйте эресесечки или сначала посмотрите, а потом добавляйте. Или вот так— syndicated.livejournal.com/kmalykh/ , только глючно опять.
спасибо, brnpzd









