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  <title>Kylie&apos;s Book Log</title>
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  <lastBuildDate>Mon, 30 Jul 2007 20:59:54 GMT</lastBuildDate>
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    <title>Kylie&apos;s Book Log</title>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/19122.html</guid>
  <pubDate>Mon, 30 Jul 2007 20:59:54 GMT</pubDate>
  <title>The Abortionist&apos;s Daughter, Elisabeth Hyde</title>
  <link>http://users.livejournal.com/_fictionbitch_/19122.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 38&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The Abortionist&apos;s Daughter&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Elisabeth Hyde&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Fiction, women&apos;s fiction, mystery&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; When the outspoken doctor at an abortion clinic is murdered, the investigation into her death is complicated by the complex dynamics within her family and by her controversial position within the community. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; The title grabbed my interest, and I picked it up and was utterly hooked by the first sentence: &quot;The problem was, Megan had just taken the second half of the ecstasy when her father called with the news.&quot;  First sentence: A+&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s fine - a sweater crumpled by the edge of a pool - but I&apos;m irked because there was a lovely little bit of a description at the beginning of the book where they talked about the sweater crumpled by the pool and how the character&apos;s purple flipflops were lying near it, their heels darkened with sweat.  I am very annoyed that they didn&apos;t put the flipflops on the cover. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did.  At first I was *really* enjoying it: her writing was fresh and sparkling and her characterization was great and her plot was gripping and I was thrilled because I thought I&apos;d discovered another mystery novelist to love - I like really good mystery-genre fiction, but thus far Dennis Lehane is the only novelist who consistently grabs me, with Sarah Dunant coming in second and Ruth Rendell dragging behind in the rear.  There&apos;s no one else I&apos;ve read that I find to be worth bothering with at all, so I was excited about Elisabeth Hyde.  But then the book kind of fell apart as it went on - her writing went from sparkling to flat, her characterization became inconsistent, and she threw in a truly heinous plot twist that ruined a lot of the last half of the book for me.  I wound up enjoying it, but not loving it.  &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yeah, she was new to me.  I may or may not read something else by her; I did like this, and yet it&apos;s hard to like a book so much at the beginning and find yourself so disappointed by the end. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Another library book.  I might pick this up if I see it being sold used and for cheap somewhere. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not really. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 304&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 11321&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7/8</description>
  <comments>http://users.livejournal.com/_fictionbitch_/19122.html</comments>
  <category>general fiction</category>
  <category>mystery</category>
  <category>7</category>
  <category>the abortionist&apos;s daughter</category>
  <category>women&apos;s fiction</category>
  <category>elisabeth hyde</category>
  <category>8</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/18940.html</guid>
  <pubDate>Mon, 30 Jul 2007 20:46:57 GMT</pubDate>
  <title>Purple Hibiscus, Chimamanda Ngozi Adichie</title>
  <link>http://users.livejournal.com/_fictionbitch_/18940.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 37&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Purple Hibiscus&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Chimamanda Ngozi Adichie&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; In the frightening political chaos of modern-day Nigeria, fifteen-year-old Kambili finds herself torn between the need to please her abusive and religiously fanatical father and her growing desire to find her own voice, encouraged by her independent-minded aunt and a magnetic young parish priest. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I&apos;d read a short story by Adichie in &lt;a href=&quot;http://www.amazon.com/This-Not-Chick-Lit-Original/dp/0812975677/ref=pd_bbs_sr_1/102-0884721-1018526?ie=UTF8&amp;amp;s=books&amp;amp;qid=1185827262&amp;amp;sr=1-1&quot;&gt;&lt;i&gt;This Is Not Chick Lit&lt;/i&gt;&lt;/a&gt; and decided I had to read more by her. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Yeah, it draws the eye. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, although it picked up steam as it went on.  At first I thought the portrayal of the dynamics of an abusive home seemed a little facile, but it stopped seeming so as I went on.  I do think that &quot;facile&quot; is a good word for a few things she did in the book - at the beginning of the book Kambili was so utterly controlled by her father, but she started to be able to abandon those thought patterns in something like a week spent with her aunt, which I found to be unrealistic given how abusive her father was.  That would have been easily fixed by expanding the time frame a bit, though, and the characterization and the family dynamics were well handled.  It also got me interested in learning more about the current political situation in Nigeria, and anything that gets me interested in learning something new is a good thing in my book. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; The only thing I&apos;d read before was the short story. &lt;a href=&quot;http://www.amazon.com/Half-Yellow-Chimamanda-Ngozi-Adichie/dp/1400095204/ref=pd_bbs_sr_1/102-0884721-1018526?ie=UTF8&amp;amp;s=books&amp;amp;qid=1185828097&amp;amp;sr=8-1&quot;&gt;&lt;i&gt;Half of a Yellow Sun&lt;/i&gt;&lt;/a&gt; looks really good and I will almost certainly get it from the library soon.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Another library book, and another one I may get my own copy of. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not really, except that I bet I&apos;ll recommend this book to a lot of people. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 320&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 11017&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8/9</description>
  <comments>http://users.livejournal.com/_fictionbitch_/18940.html</comments>
  <category>purple hibiscus</category>
  <category>general fiction</category>
  <category>chimamanda ngozi adichie</category>
  <category>9</category>
  <category>8</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/18668.html</guid>
  <pubDate>Mon, 30 Jul 2007 20:20:20 GMT</pubDate>
  <title>Straight to Jesus, Tanya Erzen</title>
  <link>http://users.livejournal.com/_fictionbitch_/18668.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 36&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Straight to Jesus: Sexual and Christian Conversions in the Ex-Gay Movement&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Tanya Erzen &lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Sociology, anthropology, ethnology, queer studies, religion.  Etc. &lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Tanya Erzen spent close to a year studying New Hope, an all-male residential &quot;ex-gay&quot; program based on the premise that homosexuality is inherently antithetical to living a Christian life and that homosexuality can be &quot;cured&quot; with the help of their program.  This book, which was originally her dissertation, puts forth what she learned there with the sensitive but dispassionate attitude of a good social scientist.  &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I read about it on salon.com ages ago and was really struck by the tone of the Salon article: I was so used to liberals having nothing but knee-jerk scorn for the ex-gay movement, and yet the Salon article really took the trouble to explore the nuances of the issue.  Since Salon is often not given to terribly nuanced or original analysis when left to its own devices, I was really interested in reading the book that had spurred that review. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s fine - a bride and groom walking into a church.  It&apos;s a photo from gettyimages.com, so maybe I&apos;m reading into it too much, but there seemed to be a subtle tension in the posture of the bride and groom as they stand side by side that&apos;s in keeping with the content of the book. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Tremendously.  This is a really, &lt;i&gt;really&lt;/i&gt; interesting piece of sociological research, guys.  What I loved most about it was that Erzen didn&apos;t go in to prove a point.  She had enough theoretical grounding in sociology/anthropology in general and in queer studies in particular that she knew what she was doing, but she went in to learn, rather than to find evidence to support an already-developed viewpoint.  As such, this isn&apos;t a book about how the ex-gay movement is horrible and it lies to people and it damages people&apos;s psyches irreversibly and it should be shut down immediately, like &lt;a href=&quot;http://www.amazon.com/Anything-but-Straight-Unmasking-Scandals/dp/1560234466/ref=pd_sim_b_1/102-0884721-1018526?ie=UTF8&amp;amp;qid=1185824278&amp;amp;sr=1-1&quot;&gt;some of the books on the subject&lt;/a&gt;.  Nor is it a piece of propaganda for the ex-gay movement; it&apos;s not politically motivated at all.  It&apos;s a thoughtful exploration of an issue that&apos;s much more complex than most people see it as being.  The question, of course, is whether gays can change; the program answers &quot;yes,&quot; while most contemporary gay activist programs say &quot;no&quot;.  I will insert my own viewpoint here and say that queer theory would give a pretty unequivocal &quot;yes&quot; as well: if we assume that sexuality and gender are both fluid and exist on a continuum, why *wouldn&apos;t* people be able to change?  Erzen looks at the scientific background of the ex-gay movement and explains that the treatment at New Hope, the specific program where she did her fieldwork, is based in the idea that homosexuality exists as the result of &quot;gender deficits&quot; - i.e., that the men in the program were raised with insufficient models of masculinity and that they need healthy male-male relationships and retraining in masculine behavior in order to exist as straight.  That, to me, is where the program falls down - the assumption that homosexuality is the result of a deficit of masculinity (or femininity, in women) has been pretty well disproven (the person who developed the theory hadn&apos;t actually done any direct research - it was all strictly theoretical).  It seemed to be focused on teaching men not to be attracted to other men, rather than on teaching men to be attracted to women, and to me that&apos;s backwards.  But what I loved about the book was that Erzen was able to divorce her analysis of the inadequacies in the &quot;science&quot; behind the ex-gay movement from her perception of the people in the program.  She was able to accept that the men in the program had made a choice to abandon their previous lifestyles because they felt their faith was more important.  She made it clear to the men that she wanted to learn from them, and as they warmed to her and came to understand that she wasn&apos;t there to judge them, they opened up to her. In the end, she doesn&apos;t give you any predetermined conclusions, except for a strong final chapter in which she demonstrates how the ex-gay movement has been hijacked by hardcore fundamentalists like James Dobson and how much that upset a lot of the men in the program, who felt their personal struggles were being misinterpreted and twisted into propaganda for an anti-gay movement that they didn&apos;t necessarily support: many of them were not interested in trying to convert other people, they were just trying to live their own lives as best they knew how.  I don&apos;t mean to imply that she whitewashes the fact that many of these men grew up in stern fundamentalist homes/atmospheres that colored their thinking about the issues, because that&apos;s in the book too.  The thing is that in the end, Erzen leaves it up to the reader to decide what they think of the movement and of the choice these men are making.  What she&apos;s doing is providing us with a really complex and well-researched portrayal of what the ex-gay movement looks like from the inside, and I found it incredibly valuable and thought-provoking. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes.  She hasn&apos;t written anything else yet, but I&apos;d be interested to see what else she publishes.  If it&apos;s on a subject I&apos;m interested in, I&apos;m there. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt;  It&apos;s a library book, but I may get my own copy at some point. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; The only thing that I wished Erzen had done more of in this book would have been to put direct transcriptions of interviews with program members in the narrative.  I don&apos;t know if it really would have fit, but I would have liked to get to know each of the men in the program a little better.  We got to know them somewhat, of course, but I would have liked to read case studies on each of them, honestly.  I got to wondering if I should work on something like that.  &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 293&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 10697&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 9</description>
  <comments>http://users.livejournal.com/_fictionbitch_/18668.html</comments>
  <category>queer studies</category>
  <category>tanya erzen</category>
  <category>anthropology</category>
  <category>religion</category>
  <category>ethnology</category>
  <category>9</category>
  <category>sociology</category>
  <category>straight to jesus</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/18311.html</guid>
  <pubDate>Mon, 30 Jul 2007 19:32:37 GMT</pubDate>
  <title>Harry Potter and the Deathly Hallows, J.K. Rowling</title>
  <link>http://users.livejournal.com/_fictionbitch_/18311.html</link>
  <description>I&apos;m back!  I&apos;m going to pick up my book count where I left off because, although I did read some new books between March 10th and now, of course, I was doing a lot of rereading, because I was feeling yucky, mood-wise, and when I am feeling yucky I default to a lot of rereading. I don&apos;t remember what-all I read, so I&apos;m just going to start at 35.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Book:&lt;/b&gt; 35&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Harry Potter and the Deathly Hallows&lt;/i&gt; (obv.) &lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; J.K. Rowling&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Juvie fiction, fantasy&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Harry Potter has to defeat Lord Voldemort while struggling to deal with the fact that as a character and even as a protagonist, Snape is way cooler than Harry is. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; It&apos;s the end of the Harry Potter series.  I find myself rolling my eyes at the template here. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Yeah.  I sort of wonder whether Mary Grand-Pre drew it entirely alone; the covers on the first three or so weren&apos;t that impressive, and then as the furor over the series began to heat up the covers started getting better, and this final one is much more skillfully done than the first one.  Maybe they paid her more to have her give more of a shit, I dunno. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; It&apos;s a complicated question, given that it&apos;s the last book in this series, especially as the expectations were so high.  I read it all and kept turning the pages, and there were parts that were really great (the scene in the Ministry springs to mind).  And then there were parts that were really not great at all (the scene in Gringotts springs to mind).  Her characterization is on-again-off-again, and in terms of plot, I had some major objections to certain parts of it and was quite happy with the way she resolved other parts. It wasn&apos;t perfect, but it was fun, and I liked it fine.  (For the purposes of this review, by the way, we are ignoring the existence of the epilogue.  I think the world will be an immeasurably better place if we just pretend that epilogue never existed.)  Long, disjointed, and spoilery review &lt;a href=&quot;http://slammerkinbabe.livejournal.com/890117.html&quot;&gt;here&lt;/a&gt;.  &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; I will get that encyclopedia thing she says she will be writing, whenever she chooses to write it.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not that can&apos;t be seen in the long spoilery review. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 760&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 10404&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7/8</description>
  <comments>http://users.livejournal.com/_fictionbitch_/18311.html</comments>
  <category>ya fiction</category>
  <category>7</category>
  <category>j.k. rowling</category>
  <category>fantasy</category>
  <category>harry potter and the deathly hallows</category>
  <category>8</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/18156.html</guid>
  <pubDate>Sun, 11 Mar 2007 05:03:14 GMT</pubDate>
  <title>A Child&apos;s Book of True Crime, Chloe Hooper</title>
  <link>http://users.livejournal.com/_fictionbitch_/18156.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 34&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;A Child&apos;s Book of True Crime&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Chloe Hooper&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction, mystery&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; An elementary school teacher is having an affair with the father of one of her students, whose wife has just completed a true-crime novel about a young girl who was murdered after she had an affair with a married man.  As the narrator begins to fancy more and more similarities between her life and that of the murdered girl, she becomes obsessed with the past murder, and writes her varying theories on the murder into a dark, fanciful children&apos;s book populated by talking animals.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I found it at a used book sale in New York.  I&apos;d heard good things about it, and it&apos;s cover-blurbed by Jennifer Egan, whom I like. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s all right, but it kind of drives me crazy because near the bottom there&apos;s this tiny little square that I think is supposed to be the cover of the narrator&apos;s children&apos;s book, and then on the spine there&apos;s this random stripe that is patterned with the very edge of that picture.  It&apos;s hard to explain, but it&apos;s really weird. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Meeeeeh.  You know, I feel like I should have... and I sort of did... but I mostly didn&apos;t.  It was well-written, and there are certain aspects that are great.  The book is full of insightful/witty asides, and the chapters from the &quot;child&apos;s book of true crime&quot; are good, and there&apos;s a wonderful running theme where the narration is interspersed with bits of classroom dialogue.  The voices of the elementary school children are very real, very well done.  But the overall theme... you know... I don&apos;t know, the plot as a whole struck me as a low-rent version of Suzanne Moore&apos;s &lt;i&gt;In the Cut&lt;/i&gt;, and I didn&apos;t like &lt;i&gt;In the Cut&lt;/i&gt;. Blah blah blah, sexual obsession with danger, blah blah blah spiraling out of control, blah blah inevitable climax blah.  Sorry.  It just doesn&apos;t really do much for me. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, and I&apos;m not really sure.  I think the book was a bit disorganized for me, and I know that was the point, but meh. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; There are wombats in this book.&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 230&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 9644</description>
  <comments>http://users.livejournal.com/_fictionbitch_/18156.html</comments>
  <category>chloe hooper</category>
  <category>general fiction</category>
  <category>mystery</category>
  <category>7</category>
  <category>child&apos;s book of true crime</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/17774.html</guid>
  <pubDate>Wed, 07 Mar 2007 06:18:30 GMT</pubDate>
  <title>Cheaper By the Dozen, Frank Gilbreth Jr. and Ernestine Gilbreth Carey</title>
  <link>http://users.livejournal.com/_fictionbitch_/17774.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 33&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Cheaper By the Dozen&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Frank Gilbreth Jr. and Ernestine Gilbreth Carey&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Memoir&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; The Gilbreth family has twelve children, a father who is an expert in motion study and time conservation and who rules the family as any good patriarch ought, and a sweet mother who defers to the father in all things and comforts the kids when they get hit!  Ain&apos;t it sweet?&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I&apos;d read bits of it in stores and thought it seemed funny, and it was on PaperbackSwap.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Eh, whatever, kind of a faux-Norman Rockwell thing. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, despite my rather disdainful summary above.  It&apos;s very much a memoir of a turn-of-the-century family (I guess it stretches from shortly after 1900 to 1920 or so, IIRC), and despite my ragging on the dad who hits the kids and the mom who tends to their bruises, I recognize that times were different then and that what would read as abusive and creepy now was kind of expected of parents then.  I do kind of wonder what might be behind the Pleasantville nostalgia here, but I don&apos;t really think it&apos;s anything too sinister.  (I mean, anything sinister in this particular family.  The patriarchal societal structures that created this particular family are sinister enough.) The writing is good, and I love a lot of the anecdotes.  This book reminds me a lot of my grandparents; the kinds of stories they love to tell, the yearning for a simpler world.  It was a very enjoyable read.&lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, but have they written anything else? &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Basically, when you strip away all my pseudosociological musings, this is just a cute, funny, easy read. I liked it.&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 9, just because it&apos;s so good at being what it&apos;s trying to be. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 207&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 9414</description>
  <comments>http://users.livejournal.com/_fictionbitch_/17774.html</comments>
  <category>frank gilbreth jr.</category>
  <category>memoir</category>
  <category>cheaper by the dozen</category>
  <category>9</category>
  <category>ernestine gilbreth carey</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/17576.html</guid>
  <pubDate>Wed, 07 Mar 2007 06:01:54 GMT</pubDate>
  <title>On Michael Jackson, Margo Jefferson</title>
  <link>http://users.livejournal.com/_fictionbitch_/17576.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 32&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;On Michael Jackson&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Margo Jefferson&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Social science, cultural studies, biography&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; This is at once a biography of Michael Jackson, though not at all a comprehensive or chronological one, and an analysis of his impact on society, society&apos;s perception of him, and the social and personal roots of both his talents and his pathologies.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I find Michael Jackson to be a fascinating cultural phenomenon, honestly: both who/what he is, and what society wants him to be/has made him into. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Silver text on a white background?  Sure, whatever.  I guess it&apos;s a nice little link between Jackson&apos;s shiny larger-than-life persona and the this-is-a-serious-cultural-analysis-not-some-pop-biography tone the book is going for. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did.  Jefferson&apos;s a great writer and her observations are astute.  I wish she would have delved more deeply into them, though - the book is short and I felt like though everything she said was true and insightful, there was a lot more to be said, a lot deeper she could have gone.  But it was quite good. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, and yes, if she wrote something else I was interested in.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping it.  No idea where to shelve it though. Cultural studies? Biography?  I have no idea. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; I actually do feel like I understand Michael Jackson a little better, having read this book.  And I consider that no small feat.  Nice job, Margo Jefferson. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8/9&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 146&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 9207</description>
  <comments>http://users.livejournal.com/_fictionbitch_/17576.html</comments>
  <category>on michael jackson</category>
  <category>cultural studies</category>
  <category>social science</category>
  <category>biography</category>
  <category>9</category>
  <category>margo jefferson</category>
  <category>8</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/17216.html</guid>
  <pubDate>Wed, 07 Mar 2007 05:50:25 GMT</pubDate>
  <title>Fledgling, Octavia Butler</title>
  <link>http://users.livejournal.com/_fictionbitch_/17216.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 31&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Fledgling&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Octavia Butler&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Sci-fi/fantasy&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Shori Matthews appears to be a ten-year-old black girl, stricken with amnesia after suffering a head wound during an attack on her home that left the rest of her family dead and her house burned to the ground.  Even through her amnesia, Shori knows this is not exactly what she is; in the course of the book she learns the word &quot;vampire&quot;, as well as some of the history of the alien race that that word&apos;s meaning inadequately represents. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I am, as has been noted, an Octavia Butler fan.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; I do, actually.  I can&apos;t tell if it was designed specifically for this book or not: an (apparently) young girl&apos;s feet walking down some stairs, with tongues of flame licking at the hem of her dress.  It could reference the beginning of the book, or it could be just a random picture someone picked out because it looked striking.  That said, it is indeed striking.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Yes, this was excellent.  It&apos;s a take on vampire mythology, but because it&apos;s Butler, the vampires&apos; motivations are all too human, even as they are quite clearly a different race.  And, you know, they&apos;re a &quot;different race&quot; in the sense that they are an independent civilization that has coexisted alongside humans for thousands of years, and they maintain a symbiotic relationship with humans in a way that both challenges and illuminates conventional standards of morality, and it&apos;s all very matter-of-fact and un-sensationalized.  Classic Butler, in other words.  This is her last book, and though it may not be quite as good as &lt;i&gt;Kindred&lt;/i&gt;, the book that really made her name, I think it&apos;s close.  I still think &lt;i&gt;Parable of the Sower&lt;/i&gt; and &lt;i&gt;Parable of the Talents&lt;/i&gt; constitute her best work though. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; I already bought another one of her books.  I&apos;m going to run out soon.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; The fact that this woman is dead, and at such a young age, is just not fair. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 9&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 310&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 9061</description>
  <comments>http://users.livejournal.com/_fictionbitch_/17216.html</comments>
  <category>sci-fi/fantasy</category>
  <category>fledgling</category>
  <category>9</category>
  <category>octavia butler</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/16656.html</guid>
  <pubDate>Thu, 01 Mar 2007 09:33:03 GMT</pubDate>
  <title>February Roundup</title>
  <link>http://users.livejournal.com/_fictionbitch_/16656.html</link>
  <description>&lt;b&gt;Best Book of the Month:&lt;/b&gt; &lt;i&gt;The Camera My Mother Gave Me&lt;/i&gt;, by Susanna Kaysen&lt;br /&gt;&lt;b&gt;Runners-Up:&lt;/b&gt; &lt;i&gt;Love in the Asylum&lt;/i&gt;, Lisa Carey; &lt;i&gt;The Far Side of Evil&lt;/i&gt;, Sylvia Engdahl&lt;br /&gt;&lt;b&gt;The Don&apos;t Bother Award:&lt;/b&gt; &lt;i&gt;Such a Pretty Girl&lt;/i&gt; x10&lt;br /&gt;&lt;b&gt;Recommendations of Specific Books to Specific People Who May or May Not Read This Journal:&lt;/b&gt; This month was not as good as January as far as my reading material went, and I honestly can&apos;t think of any specific recs I want to make to specific people. &lt;br /&gt;&lt;b&gt;Number of Books Read This Month:&lt;/b&gt; 13</description>
  <comments>http://users.livejournal.com/_fictionbitch_/16656.html</comments>
  <category>roundups</category>
  <category>susanna kaysen</category>
  <category>the camera my mother gave me</category>
  <category>such a pretty girl</category>
  <category>lisa carey</category>
  <category>laura wiess</category>
  <category>love in the asylum</category>
  <category>the far side of evil</category>
  <category>sylvia engdahl</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/16417.html</guid>
  <pubDate>Sun, 25 Feb 2007 10:25:10 GMT</pubDate>
  <title>Such a Pretty Girl, Laura Wiess</title>
  <link>http://users.livejournal.com/_fictionbitch_/16417.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 30&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Such a Pretty Girl&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Laura Wiess&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction, YA fiction (maybe?  I can&apos;t tell if it&apos;s meant to be YA or not)&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Meredith was twelve when her father was sent to prison for raping her, and fifteen when he was let out, six years early and as dangerous as ever.  This is the story of how she tries to cope with that danger.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; The cover is pretty and the subject matter is of interest to me.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; The cover is the best thing about the book.  A wilted pink rose on a stark black background, with the title in feminine, teenagery script below the rose.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Oh fuck no.  This book was such. fucking. BULLSHIT. &lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;This book... I... oh, my God, this book made me mad.  Okay, so first of all?  The kid&apos;s voice is so inauthentic I don&apos;t even know how to handle it.  That didn&apos;t really make me *angry* until I read the author&apos;s notes at the end of the book and found out that the author was drawing on personal experience, because she was groped by a friend&apos;s father one time!  Which is clearly the same thing as being molested, raped, and immersed in a sexually threatening and wildly dysfunctional family environment from the time that you are five to the time that you are twelve!* !!!&lt;br /&gt;&lt;br /&gt;So, moving on.  Basically, this kid responds to the sexual abuse in the way that your usual random layperson would expect a kid to react.  I.e., she is very very angry at her father, and she is able to articulate very clearly that what he did was wrong, and she knows exactly how dangerous he is, and she unequivocally wants him out of her life.  Which sounds great, but it is a singularly implausible reaction from a kid who has been abused from age five, and who has been told every single time she was abused that it meant she was special, it meant he loved her, it meant she was the most important person in the world and this was the most precious moment two people could share.  Now, I&apos;m not saying that there are no kids in the world who&apos;d be able to react that way.  There are a million people in the world and everyone reacts to things differently.  But the reason this is a copout, and the reason it pisses me off, is that this is the *only* reaction that most people understand, and every time someone writes a book or a story or makes a movie about a kid who does that, who suffers sexual abuse and comes out of it with an immediately understandable reaction - every time one of those books is written, it&apos;s one more nail hammered in to reinforce people&apos;s ignorant preconceptions.  This book is fake.  It&apos;s a TV movie of a book.  And what I wanted from this book was for the author to get at the stuff that no one wants to look at.  How kids who are sexually abused often conflate the abuse with love, how some of them even come to enjoy it in a way they&apos;d just as soon not look at, because it&apos;s the only way they know how to understand affection from the person who&apos;s abusing them.  And even if the child doesn&apos;t react to the abuse that way, when it&apos;s your father, it&apos;s almost impossible not to love him even as you hate him.  It&apos;s almost impossible to write him off as cleanly and clearly as this girl has done.  The problem with this girl&apos;s response is that there&apos;s no depth to it.  You don&apos;t get the sense that there&apos;s much going on deeper down; she&apos;s angry, and she&apos;s scared, but mostly she&apos;s pissed.  That wasn&apos;t enough for me.&lt;br /&gt;&lt;br /&gt;Okay, that was problem A.  Problem B is the mother, who is symptomatic of the problem with the characters in general.  The mother is evil.  She is an evil bitch demon from hell.  She calls the father&apos;s repeated rape of her daughter over a period of seven years a &quot;mistake&quot;, and she forgives him so quickly it&apos;s like she never even had to think about it.  She hates everyone who even suggests that she might want to keep him from being alone with her daughter, and she starts trying to get pregnant the day he gets out of prison so she can give him another kid and prove how much she trusts him.  And you know what?  Some partners of abusers *do* take their partners back, and in ways that seem incomprehensible.  But they&apos;re not incomprehensible, if you get to know them.  Those people have reasons for what they do, twisted and sad as they are.  And they are twisted, and they are sad.  This mother?  She was not twisted (in the sense that someone had twisted her into something she wouldn&apos;t have been otherwise), and she wasn&apos;t sad.  She was an evil bitch demon from hell.  I had absolutely no sense of her motivation, other than that she didn&apos;t want a divorce.  That?  Is bullshit.  And again, it&apos;s a copout.&lt;br /&gt;&lt;br /&gt;Problem C?  The dad.  He&apos;s eviller than the mom.  He raped his daughter a million times over and then the second he gets out of prison, like the very *second*, he starts trying to do it again.  Every second he&apos;s around her, whether they&apos;re alone or not, he&apos;s flirting or feeling her up or trying to rape her.  That is also bullshit.  I&apos;d have liked to see him have some conflict about it too - I am hardly one to sympathize with pedophiles, but they are not inhuman, and for this guy not to show one twinge of remorse is... well, boring, I guess - but it&apos;s also just a lot dumber than this guy is supposed to be.  I mean, seriously, he&apos;s like groping her in a restaurant less than two days after he got out of prison, and everyone knows he&apos;s a pedophile and everyone hates him.  And it&apos;s not even that he gets off on the danger.  From the way the author tells it, it might as well be reflexive, like a yawn.  I call bullshit yet again. &lt;br /&gt;&lt;br /&gt;Problem D?  Oh, Problem D, Problem D, you are the biggest fucking problem of all.  You see, the girl gets to be a hero at the end of the book.  And do you know how she gets to be a hero?  &lt;i&gt;She lets the dad try to rape her again and catches it on a hidden camera&lt;/i&gt;.  Yes.  With stunning fortitude our fifteen-year-old heroine puts herself in harm&apos;s way to convict the evil villain of his crimes once and for all!  This is so realistic!  It makes perfect sense for herself to jump into this with nary a qualm or stomach quaver!  And do you KNOW what a fucked-up message this is sending to any young girl who may be in a sexually abusive situation and reading this book?  That if you can&apos;t stand the thought of letting him touch you one more time for the sake of sparing other children, if you wouldn&apos;t willingly let yourself be raped in order to get it on camera, then you&apos;re not a heroine like this girl!  That heroism = martyrdom.  And that it&apos;s &lt;i&gt;just that easy&lt;/i&gt;.  &lt;br /&gt;&lt;br /&gt;I was willing to forgive this book everything else, but that?  No.&lt;br /&gt;&lt;br /&gt;Maaaaaan, this book got me heated.  I hate you, book.&lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes.  No.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; PaperbackSwapping it as soon as I can find someone to take it.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt;  This book was back-cover-blurbed by Luanne Rice and Barbara Delinsky.  So I knew I was probably being dumb in buying it.  But man, I didn&apos;t expect it to be that bad.  One telling remark, though: Barbara Delinsky says it&apos;s &quot;Important with a capital I.&quot;  That&apos;s exactly what this book is.  It&apos;s a Lifetime Movie, a book on an Important topic that completely fails to get at the heart or soul of the matter, but it sounds good to people who know nothing about it, and they flatter themselves that they have just read something Important.  No one would ever call a book by Kathryn Harrison or Heather Lewis &quot;Important&quot;, just to pick two authors&apos; names off the top of my head.  They have both written stunningly real books on sexual abuse, and they are stunningly real because they delve into the characters, into the buried shit most people would just as soon not look at.  They&apos;re not Books About Sexual Abuse, they&apos;re books about people who have been sexually abused, and, well, that distracts from the &lt;i&gt;message&lt;/i&gt;, I guess.  I think in the end this writer was trying to rewrite Laurie Halse Anderson&apos;s &lt;i&gt;Speak&lt;/i&gt;, but &lt;i&gt;Speak&lt;/i&gt; has already been written, and Laurie Halse Anderson could buy and sell this woman in a heartbeat.  &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 2.  I give it that one notch above bottom because the prose wasn&apos;t bad. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 212&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 8751&lt;br /&gt;&lt;br /&gt;*&lt;font size=&quot;-2&quot;&gt;I mean I am not trying to say that having been groped is not a traumatic experience, because of course it is, and nothing good ever comes of saying &quot;my trauma is bigger than your trauma&quot;... but... my mind just boggled when she said that.&lt;/font&gt;</description>
  <comments>http://users.livejournal.com/_fictionbitch_/16417.html</comments>
  <category>ya fiction</category>
  <category>general fiction</category>
  <category>2</category>
  <category>laura wiess</category>
  <category>such a pretty girl</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/16276.html</guid>
  <pubDate>Sat, 24 Feb 2007 04:30:37 GMT</pubDate>
  <title>The Year Without Michael, Susan Beth Pfeffer</title>
  <link>http://users.livejournal.com/_fictionbitch_/16276.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 29&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The Year Without Michael&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Susan Beth Pfeffer&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; YA fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Sixteen-year-old Jody&apos;s younger brother disappears on his way to a baseball game one summer afternoon.  The book follows his family&apos;s disintegration, and hopes of renewal, in the year following his disappearance.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I had read it when I was a kid and loved it, but I lost my copy ages and ages ago.  This is another PBS find. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Nah, not much - it&apos;s a rather poorly done portrait of the family, sans Michael. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, almost as much as I did when I originally read it when I was ten.  The main character is something of an Everygirl, but her family members are interesting and not terribly typical.  Some of the plot developments are predictable, but most aren&apos;t, and the book rings very true.  This is another book that refuses to cop out and tie everything up in a neat bow at the end. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; I&apos;ve read &lt;i&gt;Twice Taken&lt;/i&gt;, which is another take on a child who goes missing, that one from the kid&apos;s perspective (a custody snatch).  That I&apos;d rank as a little better than this, mostly because the narrator&apos;s voice has a bit of a hard edge to it that I like, and the family in it isn&apos;t so perfectly middle-class and &quot;typical&quot;.  Which is the point of the family in this book, really, but... well, anyway.  Both books work, for what they are. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not really, just that this is really a very good YA book. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8/9&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 164&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 8539</description>
  <comments>http://users.livejournal.com/_fictionbitch_/16276.html</comments>
  <category>ya fiction</category>
  <category>the year without michael</category>
  <category>9</category>
  <category>susan beth pfeffer</category>
  <category>8</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/15893.html</guid>
  <pubDate>Fri, 23 Feb 2007 03:21:43 GMT</pubDate>
  <title>Love in the Asylum, Lisa Carey</title>
  <link>http://users.livejournal.com/_fictionbitch_/15893.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 28&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Love in the Asylum&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Lisa Carey&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; The story of a junkie and a manic-depressive who fall in love in a mental hospital is intertwined with the story of a schizophrenic (?) Indian shaman (?) who was committed to the same hospital 70 years before. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; It was on the bargain table at Brookline Booksmith, and I&apos;m always game for a book about crazy people.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Yeah, it&apos;s kind of clever, really: a pink pill and a blue pill cozying up in a little paper cup. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; You know, I did.  Quite a bit.  It was a pretty light, pretty quick read - not light in the sense that the subject matter is light, which it definitely is not, but light in the sense that it&apos;s basically meant to be a pageturning story.  It&apos;s a good one, though.  The &quot;love in the psych ward&quot; bit was handled surprisingly well - usually that plotline is terribly unrealistic, but it made sense to me both logistically and in terms of character development - and the story of the maybe-schizophrenic maybe-shaman was well done too, and kept the contemporary love story from getting bogged down or turning dull.  I liked the ambiguity as to what her deal was, and the questions this book tosses around about what &quot;mental illness&quot; means.  And I liked that it didn&apos;t answer those questions, and that the characters&apos; various issues weren&apos;t tied up in a neat bow at the end.  On the whole, it was very nicely done. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yeah - last I knew she&apos;d only written one book, something about singing mermaids, and I looked at it a few times because it had a pretty aquamarine cover and then decided against getting it because the cover looked like the best thing about it.  But who knows, maybe I&apos;ll read something more by her now.  I don&apos;t feel compelled to, but I could be interested.  It will probably hinge on what turns up on PaperbackSwap.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; I&apos;d recommend this book to anyone who&apos;s interested in the summary, but with a caveat: there are a number of graphic scenes of sexual violence, and anyone who&apos;s likely to be triggered by them should not read this book.&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 290&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 8375</description>
  <comments>http://users.livejournal.com/_fictionbitch_/15893.html</comments>
  <category>general fiction</category>
  <category>love in the asylum</category>
  <category>lisa carey</category>
  <category>8</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/15650.html</guid>
  <pubDate>Wed, 21 Feb 2007 09:04:57 GMT</pubDate>
  <title>Flip-Flop Girl, Katherine Paterson</title>
  <link>http://users.livejournal.com/_fictionbitch_/15650.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 27&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Flip-Flop Girl&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Katherine Paterson&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; YA fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Vinnie Matthews&apos; father has just died, her family has moved to a new town, a new school year&apos;s just started, and her younger brother has become mute in response to all the stress.  Stressed to the breaking point herself, Vinnie finds solace in a crush on a kind, compassionate teacher and a growing friendship with a compellingly unique classmate (the eponymous flip-flop girl). &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; For the last few years I&apos;ve been working on and off on a YA novel myself, one of whose central themes is death/grieving.  I have little experience with death and grieving myself (I know, I know, you have to write about what you know about, but the grieving theme kind of evolved out of a central theme that I *do* know about, and... well, anyway), so I have had to resort to my usual tactic of reading about things I don&apos;t know about.  And if you&apos;re looking for a YA book about death and grieving, and one by Katherine Paterson turns up, you buy it.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Eh - it&apos;s fine, a painting from a particular scene in the book.  I like the new cover (which I just saw on Amazon) much better: a girl&apos;s flip-flop-clad feet standing on playground asphalt in front of a chalked hopscotch square.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, although it was no &lt;i&gt;Bridge to Terabithia&lt;/i&gt;, &lt;i&gt;Lyddie&lt;/i&gt;, or &lt;i&gt;The Great Gilly Hopkins&lt;/i&gt;.  Katherine Paterson has written so many amazing books that a good book looks weak in comparison.  This book was good, quite good really.  I just wouldn&apos;t call it amazing. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Oh, gosh, I couldn&apos;t even list all the books I&apos;ve read by Katherine Paterson throughout my life, and I&apos;ve no doubt I&apos;ll read more by her.  She&apos;s prolific. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Though from the summary it&apos;s clear that this book borrows a lot of themes from &lt;i&gt;Bridge to Terabithia&lt;/i&gt;, the atmosphere is really quite different.  I&apos;m not saying everyone should read this book, but it shouldn&apos;t be discounted on the grounds that if you&apos;ve read &lt;i&gt;Bridge&lt;/i&gt; this would feel like an inferior retread, because it doesn&apos;t, really. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 120&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 8085</description>
  <comments>http://users.livejournal.com/_fictionbitch_/15650.html</comments>
  <category>katherine paterson</category>
  <category>ya fiction</category>
  <category>7</category>
  <category>flip-flop girl</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/15474.html</guid>
  <pubDate>Wed, 21 Feb 2007 08:27:57 GMT</pubDate>
  <title>Shadow on a Tightrope, ed. Lisa Schoenfielder and Barb Wieser</title>
  <link>http://users.livejournal.com/_fictionbitch_/15474.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 26&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Shadow on a Tightrope: Women&apos;s Writings on Fat Oppression&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Lisa Schoenfielder and Barb Wieser (editors)&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Fat studies, social science, essays, anthology&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; A collection of essays dealing with fat oppression from a medical, social, and personal standpoint. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I&apos;m interested in fat studies, and this seems to be one of the seminal books of research/social criticism in that genre. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; I actually do.  It&apos;s just a line drawing of a fat woman, but it&apos;s a good line drawing, with big bulky shoulders and a double chin... so often when I see representations of fat women that are meant to be seen in a positive light, it&apos;s the &quot;thin fat woman&quot; depicted - you know, no double chin, big boobs and hips but smaller waist, well-defined cheekbones, etc.  This doesn&apos;t follow that model, and I appreciate that. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, although I should warn that it is hella dated (originally published in 1983).  Most of the medical chapters are completely worthless these days except as history pieces: the average woman, fat or thin, no longer consumes 1600 calories a day, and intestinal bypasses are a thing of the past.  (Not gastric bypasses, but intestinal bypasses - scary and dangerous as gastric bypasses can be, intestinal bypasses were about a hundred times worse.)  There&apos;s also not the huge market for diet pills (more specifically, amphetamines) that there was in the &apos;80s when this book was written - almost all the personal anecdotes make reference to women having been forced into becoming addicted to amphetamines, because it was considered better to be addicted to speed than to be fat.  And I think that as feminism has changed, so has the face of the fat-positivity movement; I think when this book was written, it was considered something of an oxymoron to be straight and a feminist - at any rate, I think that only one of the thirty or forty essays in this book was written by a straight women, and several of the lesbian writers are openly disparaging of the idea that a straight woman could be a feminist or even a feminist ally.  Still, for all the things that have changed, there are just as many things that haven&apos;t changed.  Fat women still take shit on a daily basis for their weight - just carrying this book around and reading it on the train was an interesting experiment for me, seeing people take in the words &quot;fat oppression&quot; on the cover, then seeing them scan me and watching their faces turn cold and angry.  One of the women wrote about how she was thin (and unhealthy, and suicidal) for a period of time, and how now, ten years later, her mother still carries around and displays pictures of her from that period to show her friends.  My mom does that; the most recent picture of me in her house is from my senior year of high school.  And it is still assumed that every fat person is a glutton, and that it is inherently healthier to be skinny than fat, and that surgery with an unacceptably high mortality rate is nevertheless preferable to maintaining obesity, and that although fat people are undoubtedly despised and oppressed in our society, the correct response is for fat people to get skinny, rather than for society to become more accepting.   This was a trailblazing book when it came out in &apos;83, and sadly, it still says a lot of things people don&apos;t want to hear, have conditioned themselves not to hear. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Well, they edited the book rather than writing it.  If they&apos;d collaborated on anything else, or if the editors actually had written any books solo, I might check them out.&lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; I did like the feminist spirit of this book, even though, as I said, it does seem somewhat dated (who spells woman &quot;womon&quot; anymore?  I haven&apos;t seen that in like ten years.)  It tried very hard to achieve real diversity in its selection of featured writers, and it covers a wide variety of social classes, races, and (dis)abilities. It is not, as I said, at all diverse in terms of sexuality: this is pretty much all lesbians, all the time.  Which I certainly relate to, but it would have been nice to see more diversity there.  But for all that, I really did appreciate the general diversity of the selected essayists.&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 243&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 7965</description>
  <comments>http://users.livejournal.com/_fictionbitch_/15474.html</comments>
  <category>anthology</category>
  <category>shadow on a tightrope</category>
  <category>8</category>
  <category>barb wieser</category>
  <category>essays</category>
  <category>social science</category>
  <category>fat studies</category>
  <category>lisa schoenfielder</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/15119.html</guid>
  <pubDate>Mon, 19 Feb 2007 02:19:59 GMT</pubDate>
  <title>The New Girls, Beth Gutcheon</title>
  <link>http://users.livejournal.com/_fictionbitch_/15119.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 25&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The New Girls&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Beth Gutcheon&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction, women&apos;s fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Several girls attend a ritzy all-girls&apos; boarding school.  They drink, smoke, sing with Glee Club, sleep with guys (some of them teachers), rebel against authority.  Etc. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; Since I&apos;m poor these days, a good percentage of my book choices are dictated by what happens to be hanging around on PaperbackSwap.  I&apos;d read Beth Gutcheon before and liked her fairly well; &lt;i&gt;Saying Grace&lt;/i&gt; was quite good and &lt;i&gt;Still Missing&lt;/i&gt; wasn&apos;t bad.  So I picked this one up, because PBS had it. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; I got a mass-market edition from like the early eighties or something, and no, it&apos;s not very attractive. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Eh.  In places.  There were parts that were well done, and then there were parts that just dragged.  The whole thing felt really long; I kept reading it doggedly, and kept wondering why I wasn&apos;t closer to done yet.  The characterizations were... all right; if they&apos;d been stronger they&apos;d have held the book together much better, but although they weren&apos;t awful, I expected much better from the author of &lt;i&gt;Saying Grace&lt;/i&gt;.  The plot wavered between interesting and boring.  I don&apos;t know.&lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Not new to me, as I said, but I think I&apos;m probably done on her.  Who knows, though.  I think I said that last time. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; I&apos;m not sure.  I kind of like to keep collections of books by the same author, but I&apos;m fairly sure I won&apos;t be rereading this. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; This author is obsessed with nipples.  No, I&apos;m serious.  The book has its share of sex scenes, and &lt;i&gt;all of them are about nipples&lt;/i&gt;.  They start with nipples - usually female, but sometimes male - they focus on nipples being stroked or sucked and hardening for like &lt;i&gt;two pages&lt;/i&gt;, and then you get to the actual sex part and it takes like a paragraph.  Seriously.  Crazy for nipples.  Also, Gutcheon is entirely too fond of soprano prodigies with hip-length red hair.  They&apos;ve shown up in two of her books now.  Oh, and also?  The tender romance between the fifteen-year-old and her 25-year-old teacher was creepy, mainly because Gutcheon seemed to find absolutely nothing wrong with it on the basis of the fact that the teacher was &quot;young&quot;.  A ten-year age difference at that stage in life matters, dude. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 5&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 332&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 7722</description>
  <comments>http://users.livejournal.com/_fictionbitch_/15119.html</comments>
  <category>general fiction</category>
  <category>beth gutcheon</category>
  <category>women&apos;s fiction</category>
  <category>the new girls</category>
  <category>5</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/14903.html</guid>
  <pubDate>Fri, 16 Feb 2007 07:58:07 GMT</pubDate>
  <title>Bait and Switch, Barbara Ehrenreich</title>
  <link>http://users.livejournal.com/_fictionbitch_/14903.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 24&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Bait and Switch&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Barbara Ehrenreich&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Social science/political science&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; In &lt;i&gt;Nickel and Dimed&lt;/i&gt; Barbara Ehrenreich went undercover as a low-wage worker; in this book she goes undercover as a white-collar worker!  That&apos;ll work just as well... won&apos;t it?&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I loved &lt;i&gt;Nickel and Dimed&lt;/i&gt;, and I love Ehrenreich&apos;s writing style.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Sure, whatever.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, though it was quite flawed.  Ehrenreich seemed to think that her falsified resume, which emphasized her PR skills and basically consisted of her having listed a consultancy at any company where she knew someone who was willing to lie for her if they got a call, should work just as well as any real one in getting her a white-collar job.  So she determined that she wouldn&apos;t take any job that paid less than $50,000 (!) and/or came without benefits.  Which struck me as kind of reaching for the moon, especially because, honestly, I suspect she might have done better on the job market if she&apos;d had a solid last *job*, rather than a bunch of consultant work, to give her a reference.  So, anyway, she never finds a job, but the book still carries on quite entertainingly as it details the ludicrousness of various &quot;networking events&quot; and &quot;career consultants.&quot;  Ehrenreich will always have that dry wit and that passion for social change, and that went a very long way towards making the book readable and entertaining.  Still, her inability to find a job isolates her from the most central part of white-collar culture.  Alternating chapters of personal anecdote with chapters of interviews with people who do or have held white-collar jobs would have done a whole lot to improve the book; as it is, it sort of drifts by its goal.  My other complaint about the book is that all these career coaches and networking events cost a truly astonishing amount of money, and that&apos;s fine if your publisher is paying for all of it (as I assume hers was, and if not, she has got a substantial tax deduction here), but if not... well, how reflective is this of most &quot;in transition&quot; (read: unemployed) white-collar workers&apos; actual experience?  Maybe they do all shell out thousands of dollars to have people tell them that their thought forms are creating negative energy and keeping them from the jobs of their dreams, I don&apos;t know.  If so, then Ehrenreich has done quite a public service in a.) mocking such programs mercilessly and b.) demonstrating conclusively that they do not work. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; No, I&apos;d read &lt;i&gt;Nickel and Dimed&lt;/i&gt;, of course, and a fascinating book she co-authored (I think that means the other person did the researching, compiling, and structuring of the book, and Ehrenreich did the writing) called &lt;i&gt;For Her Own Good&lt;/i&gt;, which was about the history of the medical profession and the ways it&apos;s worked to keep women in a subservient, little-mother role.  I&apos;d like to read some more of her stuff. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; It&apos;s really, &lt;i&gt;really&lt;/i&gt; cold in my apartment right now.  Holy shit.&lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 256&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 7390</description>
  <comments>http://users.livejournal.com/_fictionbitch_/14903.html</comments>
  <category>bait and switch</category>
  <category>7</category>
  <category>political science</category>
  <category>social science</category>
  <category>barbara ehrenreich</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/14637.html</guid>
  <pubDate>Wed, 14 Feb 2007 09:13:11 GMT</pubDate>
  <title>The Camera My Mother Gave Me, Susanna Kaysen</title>
  <link>http://users.livejournal.com/_fictionbitch_/14637.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 23&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The Camera My Mother Gave Me&lt;/i&gt; &lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Susanna Kaysen&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Memoir&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Susanna Kaysen has a problem with her vagina, and with her asshole sex-obsessed boyfriend. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I&apos;ve read Kaysen before and I love her writing.  And this turned up on PaperbackSwap.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s just the title.  It&apos;s fine. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, mostly, as mentioned, on the strength of her writing.   It didn&apos;t attempt any &lt;i&gt;Vagina Monologues&lt;/i&gt;-style meditation on the meaning of the vagina; basically, her vagina hurts, a lot.  To me, the more fully fleshed-out journey of the book was her growing realization of how awful her boyfriend was, and her evolving understanding of the various forms sexual violence can take.  Which sounds both dopey and clinical, but anyway.  At any rate, I did like the book.  &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; No.  There&apos;s only one book of hers that I know of that I haven&apos;t yet read, which is &lt;i&gt;Far Afield&lt;/i&gt;, one of her novels.  I may read that at some point, and if she publishes anything else, which is likely, I&apos;ll probably check it out. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; I really like the font that&apos;s used in both this book and &lt;i&gt;Girl, Interrupted&lt;/i&gt;.  Ummm... that&apos;s all. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 158&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 7134</description>
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  <category>susanna kaysen</category>
  <category>the camera my mother gave me</category>
  <category>memoir</category>
  <category>8</category>
  <lj:security>public</lj:security>
</item>
<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/14381.html</guid>
  <pubDate>Wed, 14 Feb 2007 07:20:43 GMT</pubDate>
  <title>In the Company of the Courtesan, Sarah Dunant</title>
  <link>http://users.livejournal.com/_fictionbitch_/14381.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 22&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;In the Company of the Courtesan&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Sarah Dunant&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Historical fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; A courtesan and her pimp dwarf (no, really) flee from the sack of Rome in 1527 and attempt to build a new life for themselves in Venice.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I&apos;d read Sarah Dunant before, and rarely been disappointed. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s all right.  Pretty standard for historical fiction: a piece of period art, the title in raised gilt lettering with wildly curlicued capitals.  Whatever.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, though it was a tiny bit slow for my tastes and I will say that Dunant doesn&apos;t really have a flair for historical fiction.  She ought to stick with contemporary mysteries, which she excels at.  This... I don&apos;t know, it didn&apos;t make me *feel* 16th-century Venice, you know?  In a lot of ways this is like a knockoff &lt;i&gt;Slammerkin&lt;/i&gt;, but Donoghue is much, much better at immersing the reader in the sights, sounds, and smells (!) of her chosen time period.  Plus, her characterization is better.  Anyway, if you&apos;re going to read Dunant, pick one of her contemporary mysteries. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; No, and yes. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; I don&apos;t really think so.  This was a pretty good read, but I suspect it will not be a terribly memorable one. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 368&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 6974</description>
  <comments>http://users.livejournal.com/_fictionbitch_/14381.html</comments>
  <category>sarah dunant</category>
  <category>7</category>
  <category>in the company of the courtesan</category>
  <category>historical fiction</category>
  <lj:security>public</lj:security>
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<item>
  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/14084.html</guid>
  <pubDate>Sat, 10 Feb 2007 22:21:11 GMT</pubDate>
  <title>Astonishing Splashes of Color, Clare Morrall</title>
  <link>http://users.livejournal.com/_fictionbitch_/14084.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 21&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Astonishing Splashes of Colo(u)r&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Clare Morrall&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Our synaesthetic narrator attempts to make her way through her teetering piles of issues, including mental illness, a miscarriage that has left her barren, and a host of family secrets. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; The title rang a bell; it was shortlisted for the Booker, and that&apos;s the book award I trust most; it was (of course) on the bargain table at the Brookline Booksmith. &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s not bad, but I think given the visual imagery of the title they could have done a lot better.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; I did, mostly because it&apos;s a pretty good page-turner and the writing is good.  Morrall doesn&apos;t seem to know quite where she&apos;s going with her plot, or with her character, for that matter; there were several plot threads that I particularly enjoyed, but they kept unraveling and getting lost and then reappearing six chapters later.  With a lot of editing and refocusing, this book could be parceled out, expanded and revised into three or four absolutely *killer* novels.  But even as it is, it&apos;s good.  I&apos;m not 100% sure whether it&apos;s deserving of the Booker nom - unless the rest of the nominees were all really weak, I can see this deserving to be on the longlist but not the shortlist. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, and yeah, I&apos;ll be interested to see where she goes from here.  This is her first published novel (though she&apos;s written *five* novels that were never published!  Lady, you have more perseverance and dedication than I have), and it does feel pretty first-novely.  If she tightens things up some, I think her future books could be really great. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; The title is a reference to the main character&apos;s synaesthesia, and I was all excited at first, thinking of how much &lt;span class=&apos;ljuser&apos; lj:user=&apos;october31st&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://october31st.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://october31st.livejournal.com/&apos;&gt;&lt;b&gt;october31st&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; would be likely to enjoy this book - but then that was another one of the plot threads that petered out.  I mean, it recurred occasionally, and the first section is very strong in that regard, but I wanted to see it be more of a pervasive theme throughout.  It didn&apos;t feel like a new/different way the character saw the world, it felt like a thing the author threw in when she wanted to make a point.  I wanted to read a book with a synaesthete&apos;s perspective.  Sadly, this is not that book. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7/8&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 322&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 6606</description>
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  <category>general fiction</category>
  <category>booker prize</category>
  <category>7</category>
  <category>clare morrall</category>
  <category>astonishing splashes of color</category>
  <category>8</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/13973.html</guid>
  <pubDate>Sat, 10 Feb 2007 05:51:16 GMT</pubDate>
  <title>The Far Side of Evil, Sylvia Louise Engdahl</title>
  <link>http://users.livejournal.com/_fictionbitch_/13973.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 20&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The Far Side of Evil&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Sylvia Louise Engdahl&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Science fiction, YA fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Elana is an agent for a Federation of highly advanced, utopian societies who is sent to monitor the situation on a planet whose dangerously unstable political situation is threatening to turn nuclear.  Of course monitoring turns into saving the planet.  Naturally.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; It&apos;s the sequel to a previous book I&apos;d really liked.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Ha, it&apos;s terrible.  I don&apos;t know what the hell this edition that I&apos;ve got is: the back cover is full of typos and the cover looks like someone threw it together in MS Paint without actually knowing how to use MS Paint.  And it&apos;s Pepto-Bismol pink!&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Yeah, it&apos;s really good - the author is slightly complacent in her assertion that she understands every single thing ever about how the world works and what is good and bad for society, but I agree with most of her beliefs, so I don&apos;t mind it too much.  The characters are very well-drawn and the plot&apos;s a hell of a page-turner. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; No - I&apos;d read her before this, as stated, but this is actually a reread for me.  I agonized a bit over whether it was okay to update about it here, before deciding that a.) it had been so long since I&apos;d read it that it felt like I was reading a new book, b.) I invested as much time and energy reading it as I would a book that was new to me and I felt just as much like sharing when I was done, and c.) this is my journal and I get to make the rules. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping. &lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; *God*, the cover is horrible.  If anyone who reads this decides to get a copy via abebooks or whatever (it is, of course, long out of print), you&apos;ll have to tell me what your cover looks like.  I can&apos;t believe this is the only cover it was ever issued under.  It looks like it was born used. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8/9&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 292&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 6284</description>
  <comments>http://users.livejournal.com/_fictionbitch_/13973.html</comments>
  <category>ya fiction</category>
  <category>sylvia louise engdahl</category>
  <category>science fiction</category>
  <category>9</category>
  <category>the far side of evil</category>
  <category>8</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/13813.html</guid>
  <pubDate>Sat, 10 Feb 2007 05:39:36 GMT</pubDate>
  <title>The Haunted House, Charles Dickens et al.</title>
  <link>http://users.livejournal.com/_fictionbitch_/13813.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 19&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;The Haunted House&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Charles Dickens and Friends&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; A series of Victorian ghost stories; the premise is that the original narrator leases a haunted house, and decides to have his friends stay with him for a month and then have them all debrief at the end of the month on what ghostly happenings they&apos;ve experienced while they were there.  Each of the characters&apos; stories is authored by a different Victorian writer.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; Several reasons: It was on the bargain table at the Brookline Booksmith; I like Hesperus Press; I like Charles Dickens.  And it looked like fun.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Yeah, it&apos;s nicely atmospheric.  I really like the way Hesperus books are bound and designed anyway.&lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; It was fun.  A few of the stories by some of the lesser-known writers fell a bit flat for me, mostly near the beginning, but then it went on a Wilkie Collins-Charles Dickens-Elizabeth Gaskell run and I got sucked in again.  I was a particularly big fan of the Collins story - I&apos;d never read Wilkie Collins before.  In this particular story he reminded me a good deal of Poe.  (Whom I&apos;d&apos;ve liked to see in this collection, incidentally, along with Charlotte Perkins Gilman; but I suppose there was an ocean between those two and the people who were writing on this project, and - the Internet not having been invented yet - it&apos;d be awfully difficult for them to collaborate on such a thing across the Atlantic.) &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; I don&apos;t think I&apos;d have been allowed to graduate college as an English major if I&apos;d never read Charles Dickens.  (Or high school, for that matter.)  I will confess, though, that for all the Dickens I have read I have never yet gotten to &lt;i&gt;Oliver Twist&lt;/i&gt;, and I hope to someday.  I have a copy of it somewhere. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not really. &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 7&lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 124 &lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 5592</description>
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  <category>charles dickens</category>
  <category>general fiction</category>
  <category>elizabeth gaskell</category>
  <category>7</category>
  <category>wilkie collins</category>
  <category>the haunted house</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/13510.html</guid>
  <pubDate>Sat, 03 Feb 2007 04:04:01 GMT</pubDate>
  <title>Julie Andrews: A Life on Stage and Screen, Robert Windeler</title>
  <link>http://users.livejournal.com/_fictionbitch_/13510.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 18&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Julie Andrews: A Life on Stage and Screen&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Robert Windeler&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Biography&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Uhh... it&apos;s a biography of Julie Andrews.&lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; I somehow managed to get this far into my Julie Andrews obsession without ever having read a biography of her, and decided that needed rectifying.  And it turned up for $15 on half.com, which is about a quarter of what it usually sells for.  So I ordered it.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; It&apos;s Julie Andrews in drag.  I&apos;d say I like it, yes. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Mmmmmmmmeh.  Whatever.  It was a very workmanlike biography, mostly just a rundown of what she did in her career and when.  The personal side of the story was sorely lacking - at one point they mention how &quot;one of her teenage daughters&quot; went into rehab after abusing drugs since age 11, and you&apos;re like &quot;what? huh?  The only daughter you told me about was Emma, and she&apos;s in her twenties at this point.  Who&apos;s this teenage daughter?  What&apos;s going on?&quot;  At another point he mentioned two of her daughters (possibly one of whom later became addicted to drugs? I DON&apos;T KNOW), &quot;seven and eight years old&quot;, without ever having mentioned when they were born.  Or adopted.  Or whatever.  Dude.  Anyway, it gave me very little sense of her personality, and the prose was crappy, and it did not spend nearly enough time explaining how she is gay for Carol Burnett.  So.&lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, and no.  &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping, just for reference&apos;s sake.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; There is one thing I will be eternally grateful to this author for, and that is that this book alerted me to the fact that Julie Andrews has a nude lesbian scene in one of her movies (&lt;i&gt;Duet for One&lt;/i&gt;).  So I will be Netflixing that. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 262&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 5468</description>
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  <category>4</category>
  <category>biography</category>
  <category>julie andrews: a life on stage &amp; screen</category>
  <category>robert windeler</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/13184.html</guid>
  <pubDate>Thu, 01 Feb 2007 09:37:46 GMT</pubDate>
  <title>January Roundup</title>
  <link>http://users.livejournal.com/_fictionbitch_/13184.html</link>
  <description>I almost forgot I meant to do this at the end of each month.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Best Book of the Month:&lt;/b&gt; &lt;i&gt;The Night Watch&lt;/i&gt;, Sarah Waters&lt;br /&gt;&lt;b&gt;Runners-Up:&lt;/b&gt; &lt;i&gt;The Brief History of the Dead&lt;/i&gt;, Kevin Brockmeier; &lt;i&gt;After&lt;/i&gt;, Francine Prose&lt;br /&gt;&lt;b&gt;The Don&apos;t Bother Award:&lt;/b&gt; &lt;i&gt;The Fermata&lt;/i&gt;, Nicholson Baker&lt;br /&gt;&lt;b&gt;Recommendations of Specific Books to Specific People Who May or May Not Read This Journal:&lt;/b&gt; &lt;span class=&apos;ljuser&apos; lj:user=&apos;rolypolypony&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://rolypolypony.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://rolypolypony.livejournal.com/&apos;&gt;&lt;b&gt;rolypolypony&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; should read &lt;i&gt;Alice MacLeod, Realist At Last&lt;/i&gt;, and I think &lt;span class=&apos;ljuser&apos; lj:user=&apos;amyura&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://amyura.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://amyura.livejournal.com/&apos;&gt;&lt;b&gt;amyura&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; might like &lt;i&gt;Saying Grace&lt;/i&gt;, maybe.  Also, he might kill me for saying it, but I get the feeling &lt;span class=&apos;ljuser&apos; lj:user=&apos;mitdasein&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://mitdasein.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://mitdasein.livejournal.com/&apos;&gt;&lt;b&gt;mitdasein&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; might like &lt;i&gt;The Fermata&lt;/i&gt; more than I did.  (This is not meant as an insult, really - perhaps I would do better to phrase it as &quot;I would be interested to see if &lt;span class=&apos;ljuser&apos; lj:user=&apos;mitdasein&apos; style=&apos;white-space: nowrap;&apos;&gt;&lt;a href=&apos;http://mitdasein.livejournal.com/profile&apos;&gt;&lt;img src=&apos;http://p-stat.livejournal.com/img/userinfo.gif&apos; alt=&apos;[info]&apos; width=&apos;17&apos; height=&apos;17&apos; style=&apos;vertical-align: bottom; border: 0; padding-right: 1px;&apos; /&gt;&lt;/a&gt;&lt;a href=&apos;http://mitdasein.livejournal.com/&apos;&gt;&lt;b&gt;mitdasein&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; would like &lt;i&gt;The Fermata&lt;/i&gt; any better than I did.&quot;  That&apos;s more what I mean anyway.) &lt;br /&gt;&lt;b&gt;Number of Books Read This Month:&lt;/b&gt; 17&lt;br /&gt;&lt;br /&gt;Anything else that should go in this post?  I can&apos;t really think of anything.</description>
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  <category>beth gutcheon</category>
  <category>nicholson baker</category>
  <category>roundups</category>
  <category>kevin brockmeier</category>
  <category>francine prose</category>
  <category>alice macleod realist at last</category>
  <category>night watch</category>
  <category>the brief history of the dead</category>
  <category>after</category>
  <category>the fermata</category>
  <category>sarah waters</category>
  <category>susan juby</category>
  <category>saying grace</category>
  <lj:security>public</lj:security>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/12972.html</guid>
  <pubDate>Thu, 01 Feb 2007 05:39:33 GMT</pubDate>
  <title>The Fermata, Nicholson Baker</title>
  <link>http://users.livejournal.com/_fictionbitch_/12972.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 17&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Fermata&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Nicholson Baker&lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; General fiction, erotica&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; A guy has the power to stop time, and uses this power to get off. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt;  I&apos;ve liked Nicholson Baker before, and this one turned up on Paperback Swap, so I figured what the hell.&lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; I&apos;m pretty sure this is an advance reading copy of some sort.  Mine just has a green fermata on it, which is fine, but the rest of the cover is white and partially covered in some sort of mold, which is not. &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; No.  This is the first book of the year of which I am willing to say, flat out, no.  I didn&apos;t even finish it, honestly.  So, you know, thirty pages in, the concept of a guy who can stop time seems inventive (Dean Koontz&apos;s woeful attempt at covering the same theme not being deserving of mention), and though the fact that he uses this power primarily to take off women&apos;s clothes and jerk off on their frozen forms is creepy as fuck, well, you know, I could handle that for thirty pages.  But it just goes on.  And on. And on. And on.  And the guy never does anything but jerk off.  And strip women.  And jerk off.  And strip women.  And jerk off.  And then occasionally he puts vibrators on them while they&apos;re frozen, and clicks time back on, and watches them orgasm without having any idea why they are doing so.  And then he clicks time back off.  And jerks off.  And... you know what?  This book does not need to be 350 pages, or whatever it is.  It doesn&apos;t need to be 50 pages.  Find a plot, Nick baby, or get off the carousel. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; I&apos;d read &lt;i&gt;The Mezzanine&lt;/i&gt;, which I loved, and &lt;i&gt;The Everlasting Story of Nory&lt;/i&gt;, which I liked but did not love, and &lt;i&gt;Checkpoint&lt;/i&gt;, which I liked a lot better before I read an interview and realized that Baker was taking both his characters&apos; political viewpoints pretty seriously.  I don&apos;t know about reading him again.  I would have to make very sure that he had found a decent plot before I embarked on another book.  Because as erotica, this was just so *male*, so... I don&apos;t know how to describe it, but as a lesbian, I found it offensively masculine.  Which makes sense, because a man wrote it.  Anyway, no. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; I&apos;ll be recirculating it on PBS, if anyone wants it.&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; In general I like looking up the new vocabulary words that I come across in a Nicholson Baker novel (at least, in &lt;i&gt;The Mezzanine&lt;/i&gt; and now this one), but given that the new vocabulary words here basically seemed to consist of three hundred obscure synonyms for male ejaculate, I decided to skip all that this time. &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 150, of I don&apos;t remember how many&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 5206</description>
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  <category>general fiction</category>
  <category>nicholson baker</category>
  <category>the fermata</category>
  <category>erotica</category>
  <category>3</category>
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  <guid isPermaLink='true'>http://users.livejournal.com/_fictionbitch_/12593.html</guid>
  <pubDate>Tue, 30 Jan 2007 02:01:27 GMT</pubDate>
  <title>Maneater, Gigi Levangie Grazer</title>
  <link>http://users.livejournal.com/_fictionbitch_/12593.html</link>
  <description>&lt;b&gt;Book:&lt;/b&gt; 16&lt;br /&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;i&gt;Maneater&lt;/i&gt;&lt;br /&gt;&lt;b&gt;Author:&lt;/b&gt; Gigi Levangie Grazer &lt;br /&gt;&lt;b&gt;Genre:&lt;/b&gt; Chick lit&lt;br /&gt;&lt;b&gt;One-sentence summary:&lt;/b&gt; Well, it starts out with the protagonist busying herself with making plans for her wedding to a man whom she has technically never spoken to, but whose face and reported net worth she is intimately familiar with. And it kinda goes from there. &lt;br /&gt;&lt;b&gt;Why did you get this book?&lt;/b&gt; Here are the first two sentences: &quot;My God, the wedding was beautiful.  So what if the bride with the translucent skin and white-gold hair (courtesy of the ex-gay-porn-star hairdresser with the pregnant Amazonian wife) had fucked every one of the groomsmen at one point or another in her short life.&quot; &lt;br /&gt;&lt;b&gt;Do you like the cover?&lt;/b&gt; Whatever.  I think it was taken from the same series of photos that spawned the covers of the &lt;i&gt;Gossip Girl&lt;/i&gt; series.  &lt;br /&gt;&lt;b&gt;Did you enjoy the book?&lt;/b&gt; Okay, so, you know, chick lit is not normally my thing, but this writer is *hilarious*.  There&apos;s a hard, bitchy edge to this book that you rarely find in a book with a hot pink cover.  The plot actually takes a few twists I wasn&apos;t expecting, too.  This would have been a delicious book to read floating in the pool in midsummer with a drink close to hand, but even curled up in bed in the dead of winter, it was highly entertaining. &lt;br /&gt;&lt;b&gt;Was the author new to you and would you read something by this author again?&lt;/b&gt; Yes, she was, but I&apos;ve looked at her other stuff and none of it&apos;s been as well reviewed as this, nor has any of it interested me much.  I think she periodically writes bitchy little essays for magazines, though.  I&apos;ll be keeping an eye out for her byline. &lt;br /&gt;&lt;b&gt;Are you keeping it or passing it on?&lt;/b&gt; Keeping.  &lt;br /&gt;&lt;b&gt;Scale of 1 to 10:&lt;/b&gt; 8&lt;br /&gt;&lt;b&gt;Anything else?&lt;/b&gt; Not really, except that if you like smart chick lit, you definitely should give this book a read.  &lt;br /&gt;&lt;b&gt;Number of pages:&lt;/b&gt; 368&lt;br /&gt;&lt;b&gt;Total pages for the year:&lt;/b&gt; 5056</description>
  <comments>http://users.livejournal.com/_fictionbitch_/12593.html</comments>
  <category>maneater</category>
  <category>8</category>
  <category>chick lit</category>
  <category>gigi levangie grazer</category>
  <lj:security>public</lj:security>
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