I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
YESSSSSSSSSS.
(there's the most amazing clothing shop in that street it's so awesome)
I think it's lovely that you are adding me. But, you see, I have 200 people who have me on their friends list, and I cannot read through their names every time someone new adds me to find that person and look if I want to add her back. So, if you add me, please tell me so, or I just won't know, ok?
this is your chance.
I was planning my Sunday (first post-exam day), and I was thinking that I'd love to go to the seaside. There are a few beautiful castles in Northumberland that I really wanted to see. I really miss being near the water. I think that's because I grew up near a lake, so it makes me feel a little at home. Turns out that the trains connections to the seaside towns are ridiculously bad. You have to travel for 10 hours, and change trains and buses about 6 times - which strikes me as very ridiculous. I'm not sure what I'll do on Sunday now (I still want to see the sea!), but I am sure I'll do something fun. I hope the weather is good, and that it'll be possible to be outside without freezing my hands off.
Some positivity...
Recently, I have felt so changed. It does not feel wrong, but weird. I feel like I've been in hibernation for, what, years? months at least. wrapped up in my little bubble of stress and anxiety and worry. It really is not healthy to live like that, but you never realise what you are passively doing to yourself until it's over (or too late to stop it). I am not sure if I've mentioned this change on this journal before, but I don't think so. Here we go.
I feel like I've been uprooted. Like someone just pulled me out of my soil - because it wasn't nourishing anymore, it was making me sick, and replanted me on a spot with sun and water. I'm a little tree-sapling. I don't know what kind of tree I am, but I am here, and I am happy. Yes, you've read that right. I am happy. I haven't been this happy in a long time. It's mostly not a happiness with a cause, but more like a glow inside. (This must sound very strange for some of you, but it is how I feel, and I cannot find better words to describe it). Of course, I am not perpetually happy. I feel bad at times. But overall, I am happy. It's like knowing that everything is going to be all right. This knowledge feels so much older than me - not like it's something that I've learned, but some inner knowledge that's been here for hundreds of years. I feel that there are so many things that I want to do, to see, to discover, and it makes me feel so excited. I am amazingly glad to be alive! ALIVE! YES! I feel ALIVE.
Also, over the past year, I've come to love myself. As I am. That doesn't mean that there aren't things about myself that I would like to improve, but overall, I really do love myself as a whole.
I am not sure how this is going to change in the next months. I have the feeling that this is only the beginning, that I am only standing on the threshold to something more exciting.
What makes me sad though, is that I feel that I have no-one to share this with. Most people wouldn't understand this. And speaking to someone who is absolutely excited about everything (not all the time, mind you) is probably not easy for other people. I have found it much easier to communicate if I am feeling bad - it's like a mutual exchange of negativity, and surprisingly (or not, considering how much negativity there is in the world), it is much easier to form a bond over something like that. Maybe this is something I have to learn: How to bring happiness across to others without sounding like a complete freak. And I have to learn how to approach people I do not know! I mostly know if I have a connection with a person within the first few minutes. This makes things easier, but also more difficult. For example, I have felt no connection whatsoever with my flatmates. Nothing. 0. That's why it just seems like a waste of time for me to spend much time with them, when I could be doing something else. So. If i walk past someone who I feel I might be able to get along with, what should I do? Shout "Hey, what's your name?" or what? Nobody does that. Maybe that's why I should do it!
So, I'm not quite sure what I'm searching for, or where I'm going. I am just very thankful to be here, to have the opportunity to experience things.
And I love the BIRDS here, they are amazing! I saw a robin yesterday - amazingly cute!
EDIT: It's not like I'm happy-happy-happy all the time, but my happiness is more intense. that's better.
..and some negativity.
However, there are things on the world that infuriate me. It's not all good. The problem is that it could be good - if humans were different. I cannot fathom the amount of discrimination that's going on in the world - how people who are different or thinking differently are being hurt and treated terribly. And the wars. War is a concept I cannot grasp. It doesn't make any sense to me. Why would you want to kill other people and get your "own" people killed in return - who gains profit from that? It only rips families apart and bring so much terror and pain. Neither do I understand how one could be able to destroy a forest, hacking the trees to pieces. What could be worth all that pain? Is money really worth that? We will gain nothing by having a profitable economy in the end - nothing. It's all for nothing, and people just keep doing it. Without thinking. Neither do I understand how small children can bully others their age. What is it that makes us feel "good" when we hurt others? Does it have to do with having an inferiority complex? Or simple social conditioning? Were these children, for example, treated unfairly or hurt by their parents (I think so)? I just wish there was something I could do to change all this - but I can't. I can only change how I treat others and the world, I suppose.
Yes, this world is beautiful, ever since it came out of ash and molten rock under a baby-sun. Maybe this is why we want to understand it – because this beauty would be even more beautiful to behold if you knew the how and the why and the answers to all your questions. But maybe, maybe this world’s beauty lies in secret. Might be that, stripped bare of mysticism and myths, it’s bare skeleton would be a horrid sight to behold. But what lies behind the world, behind the cosmos. Is it numbers, equations, things of, some would say, rationality.
But – no! Numbers are not rational – I might even say, they are one of the strangest things there are. They exist in non-spaces where negatives exist that shouldn’t be there, overstep every understanding we might have of them. If things such as numbers that run to forever exist, how can they product of the human mind? Because, that’s what they are, products of the human mind – isn’t it so? One day, a man woke up and there was a stick, and then another, and a fiend stole one of them, yes - one. The man maybe didn’t think “one” but with time, there was need for a “one” – but it might easily have been “two”. Language is an odd companion, as it does not alter the meaning of a thing – the thing, this “one” was given the name “one”, but calling it “two” wouldn’t have changed the paradigms of its existence. So numbers have a mind of their own. They do not come into existence because we name them (for names are arbitrary and have nothing to do with the thing on its own) – they were always there. In our world, one plus one is two, but in another world, two plus two might have been one, and it would have amounted to the same thing. Beyond the physical, in the metaphysical realm, numbers must exist – numbers stripped bare of their names and sentimental meanings attached to them by men -, equations must have a life of their own, even without a mind to conceive them, to write them down. Beyond our physical world of beauty, there exists another, just the same, but of a beauty that is foreign, alien and, for most of us, inconceivable. How should we ever know the beauty of this world without naming it?
There: If we describe our world in numbers, it is still the beauty of before, transformed and altered, but still beautiful.
I ask of you: what makes it beautiful? What makes a lump of stone so ugly for some, but a field of wheat so beautiful in the sunshine of an August day? Is there truly a difference in beauty between the two, or is it merely a trick our mind plays on us? How do we define beauty? It must be something, surely, that makes our heart swell and beat and our soul glow. The things that most of us would deem beautiful, the clichés of beauty so to speak, are merely called beautiful by tradition. We are used to thinking that the light is on the beautiful sight of life, while the dark, the twisted and crooked, are ugly and shameful. But – both stem from the same origin, both are stardust and fire and ice. If you hold a piece of stone, and although it might be deformed and black and dirty, and think about where it came from – down from the earth, through the rivers, up a volcano? – then you glimpse the first spark of its beauty – just think how much more of it there is! Even in the most terrible things lies beauty – the corpse of a man, hung upon a tree like a signpost with the ravens eating his eyes, the mushroom of an atomic bomb, an open wound. It is the shiver of fear, sometimes, that makes something beautiful, or the smallest detail, or something you cannot quite explain (that thing that makes you shiver).
The next time you see ugliness: it could be that girl whose hair is too fuzzy and whose eyes bulge out in a brown-grey colour, or the beggar on the street whose clothes stink of flith and death, or a dripping faucet – just look closer. Can you see the delicate hands she wraps around her bag, like she wants to hold it like a lover? Can you see the life he has left behind, the wife who died and the aspirations he had when he was twenty (he wanted to be a writer)? Can you see how the droplets sparkle in the light? If you look closer, if you draw a breath and stop thinking about ugliness, if you stop for a moment to consider beauty out of the ordinary, your world might suddenly seem to come closer to the world you want it to be – a world where every moment is filled with beauty, and wonder.
Pairing Jack/Ianto
Rating/Warning/Spoilers: Post 2-13
Summary: short drabble - aftermath of the battle
Author's Notes: my first torchwood fic, and pathetically short and prosaic. no real plot either.
( Read more... )
I think i need a community in which i can post my work and receive criticism. any ideas?
a.
As they burst through the venous soil,
Fresh blooms, sickly red and iris-blue, and
Aureated baby-blooms
in the sweet odour in the awakening
Of nature come the dancing maidens of spring-
The rites of May.
In their white dresses, hair-down soaked in dew,
Sugared with pollen, polluted with joy.
b.
Heat-imbued summer day, the sky a painter’s
Brush sweating with red and gold, the
Sweaty hand on the breast, the drunken laughter
Of a drifting sunset, of emotions in wax,
Ambered moments. Leaves in green-golden light,
Sickly bejewelled, adorned in your embrace.
Too heavy, breathing you, I plunge my lungs.
c.
May they come, the souls of cold, the hands of
Ghosts, the rotten apples of the sated trunks
The burnt cheeks, the leaves discolouring
On bodies. Lying. And we long, we part.
The season of the sickly wine, the drunken
Fever and the breathless dances under
Autumn’s frenzied star-filled-skies.
d.
Slower. Time syrupates and tastes of honey
und eiskristallener Luft.
The ways are three-fold, each turn a world,
Telling tales of blood-thirsty murder and
Star-crossed lovers in the cold. crave.
The fire still warm with white ash,
My Fingers glyphed with blue ink.
Flesh devours flesh and blood stains blood.
This is my lover’s womb. The memory clanks against the window-glass and it breaks my heart. The shadows are blurred against the milky moonlight oozing through the grates. The lights are diffuse, undefined, faded against my remembrance. I still can see the fireworks the hazy sky and think of my breath in the cold air like smoke – curling upwards, upwards. I think of her smile ionised in the air, her frame when she stood in front of the light, like a succubus who walked straight out of my nightmares to eat me alive and lick my bones clean, who drank my blood like one drinks wine.
It’s after midnight and outside, the owls howl, the trees rustle. All is memory. When I touch my face, I feel as if I only touch what is remains after one has left: numb skin. My fingers touch but do not feel. They only sense that something is lacking but any precise differentiation is impossible. Maybe life.
Late at night, I trace your skin and I am amazed at how soft it is, still, after so many hours. I wonder how your touch can feel so hot against my cheek. How your blood is almost black in the moonlight. How your eyes are open, staring directly at me, but not seeing. How I can look at you slowly fading away; and I have to squint because it is all so terribly beautiful that my world is blurred at the edges. I want to see you in all your glory for as long as I can.
Outside, the cold slices through the window and inside, my love slices through your skin. The night is filled with the decay of rotting leaves, blended by the smell of early snow.
A hint of jasmine in the air, a soft breeze, the slight movement of the draperies.
Then like a black wave of molten rock collapsing, the last jerks of a dying tree, the inward-reflection in a puddle, the sharp cry of a shape in the sky.
Silhouettes turn into sentences, little creatures slowly creeping towards your eye, black, white, thought and stain.
It seizes you like a gale, a gust in the mid-evening air, like blood suddenly sputtering from the gash, shrouding your body: the embrace of the Muse.
It does hurt first: when the quill touches the skin. Because you are tired, tired. The Muse, though, forbids sleep. A blood-letting commanded by The Gods. You cannot fail. You are tired, the Muse forbids sleep. Sleep ceases, retreats into the shadows as if it was a murderer who abhors his victim’s blood instead of admiring it. How strange.
It ends like this: Enlightenment, desire, the Gods. The flame of the sky of blazing blue. The fire of red glass filled with poison. The eye a swollen mass of flesh, the hand a lump of blood and bone. Mind, after all, much worse: a scattered assembly of rotten thoughts, misguided splutter, ironic; lifeless object filled with mercury; the orphic tongue, ripped out. Open throat, stump of sound and vocable.
He’s written it, over and over again, a hymn, oh praise her, praise her. Almost as if he was unable to stop, to stop writing. Praise her: for the muse forbids sleep.
Red
Rose Petals: he picks them up as he walks down the alleyway, counting with his fingers, one, two, three. The trees are haggard hands stretching out in the grey ripples of sky, the leaves are tiny corpses, curled inwards, as if hiding.
His Mouth: moving, constantly. Pulling and sometimes biting. Songs of the twilight, the gods smiling. His words are hidden, their meanings cut open like corpses of the autopsy. They move inside his body, parasites of knowledge.
Fire: When they burn the women, he sometime cries. It is forbidden.
So they say.
Blood: When he touched the thorn, like a lover touches the body, it foraminated his skin. There was no pain, no agony. Only a tiny drop of blood, silhouetted against his skin. This, he thinks, is beauty.
Heart: Hearts do break. So they say. It is a lie: hearts are not meant to be broken. Hearts are meant to be cut, sliced. If so, it will make him beautiful.
Blue
Ring: It is the only thing that remains. Small, broken, missing. Dangling on a string, like the man they hung on the trees when the scaffolds were already taken.
Question: “Tell me, was it an accident?”
Five: Five is blue, adding to ten. Adding to hundred. Adding to infinity. Finally, him.
Water: Water is harder like the slap of a hand, almost like a word, hissed and uttered in disgust. Sometimes, he mistakes water for air and breathes deeply, almost as if afraid of choking. Does that mean that he thinks, deep inside, that drowning is the better option? After all, we are water, 80%. He remembers. The percentage of humanity.
Sky: They say it is where the heavens are. He knows better, though. There are only stars, minuscule lights in nothingness, a vacuum sometimes nerved by light, travelling through space. Never changing, always constant.
Dreams: He defies gravity, raising up to the gods. Not thinking, merely feeling.
Green
Hiding: He pierces the bushes, the grassland. When they laugh, the green chokes the laughter before it can reach him. And it does not hurt. The grass is warm, like the hand of a mother he has never known. The earth can soak up everything.
Bottle: It breaks and when he hears the glass reaching the floor, scattering, it sounds like a blow. The glass traces like pain against his finger.
Leaves: The window is overgrown, hidden beneath masses of ivy, filtering the sky until it wavers in the air like a threadbare curtain. The room seems to be underwater, the twigs clutching the frames, the leaves scratching in the wind, moving the greenlight until it blazes shadows in the wall. This is peace.
Home: The meadow, patches of flowers, arranged without meaning, the glyphs of god only he can read. The room full of light that envelopes him when he is, he is. The walls, red-brown bricks embraced by their dead bodies, shrivelled and grey (though still green). This is a place of memory. He was not born here.
Book: it is enclosed in green, some fragments missing. Wisdom and Knowledge make it burst, almost. When he touches its pages, it comes alive. It wouldn’t surprise him if it would start moving someday. Maybe it will.
White
Skin: Like frozen shame, exposed over flesh, bone, thought. Flawed in its flawlessness. Your stigma remain, bitten into your flesh, marks of fear and silence.
Snow: They say it is a symbol of innocence. He only sees death. That doesn’t mean that is not beautiful because it is, it is, it is. When he lies down, it swallows him as a whole, down. He sleeps in the throat of the monster and he smiles. Melting, he and the snow are one entity. Cold, Deadly, Motionless.
Emotion: Emotion is not stained, it is pure. Hate is as pure as Love. Pure translates: to be stained.
Destiny: “is what brought you to me. Namely: something that is to happen or has happened to a particular person or thing; lot or fortune, the predetermined, usually inevitable or irresistible, course of events, the power or agency that determines the course of events,(initial capital letter) this power personified or represented as a goddess, the Destinies, the Fates. Did the Fates determine that you did what you did, are you not to blame, why did it happen, why, was it inevitable that I had to, why did you have to be irresistible, why?”
Shrink: He is getting smaller, still, like he is pressed between to covers. Duty and Desire. Disembodying by the minute. In-folding.
Black
Fear: of what? Breathing, almost as if afraid of choking.
His Eyes: he is seeing, like he always does. His eyes mirror the world, mutate it from good to bad and backwards again. What does he see? “Life and Death.” Is it the same? “No. Yes. Maybe.” It is the stare of a fish, dead, void of emotion.
Sometimes he cried. It is forbidden. So they said.
Stain: Emotion does stain so easily. You know.
Ash: He touches the ash and it is still warm, eaten by the fire. He is burning, burning. Who will touch his ash?
Night: “When you came to me, the night was darker. The stars ceased to shine, as if you impeded their light. Or maybe you shone too brightly. It didn’t matter. I heard the waves of my consciousness crash against your body. So close, so close, and so afraid. My thoughts imploding, trembling, shivering. I was there, with you, and so afraid.”
Darkness: i.e. the absence of light. This is what he fears.
Twilight
Vestige: What about the remaining 20%?
Death: Death is the permanent end of the life of a biological organism. Death may refer to the end of life as either an event or condition. Many factors can cause or contribute to an organism's death, including predation, disease, habitat destruction, senescence, malnutrition and accidents. Existence Without does not equal Un-existence. Nothingness. This is what he does not fear. Words: So many, too many. Utterances are redundant, he would not understand. He has learnt them all, tongue tipping against teeth, syllables. Still, he cannot describe what it is. It, that is making him do these things, it, that parasitic existence in his mind that is slowly evaporating all logical processes. Mind: Priced treasure. Cherished. Adored. Feared. The reason why he is still alive. One single sentence. He cannot remember it. His mind gave birth to his existence. His mind, gravid with thought. Too much of it. Impregnated, a miscarriage. Light: Nothing else is constant, only Light. (The visible portion of the electromagnetic spectrum, corresponding to electromagnetic waves ranging in wavelength from approximately 3·9 × 10−7 m (violet) to 7·8 × 10−7 m (red) (corresponding frequencies 7·7 × 1014 Hz and 3·8 × 1014 Hz, respectively). Different wavelengths of light are perceived by humans as different colours.) He can say it by heart. But does it matter. His mouth: darkness. His heart: darkness. His soul: darkness. He knows, he knows. But Light makes the darkness even more beautiful. End: There is no darkness, no white blazing light. There is only a substructure of colours, separate though intertwined, almost palpable. white ash, falling from the sky. Black flames from down down below. And even after this postmortem abacination, almost blind, he can see his eyes as they truly are: nor good nor bad but a twilight of vitiosity and holyness.






